Thought Shrapnel

M.E. Rothwell publishes Cosmographia which hits the sweet spot for me, and for many, being focused on “history, myth, and the arts”. He often publishes old maps, as well as telling stories about faraway places.

In a new series which he calls Venus' Notebook, Rothwell is juxtaposing imagery and quotations. This particular coupling jumped out at me, and so I wanted to pass it on. The quotation is from Joan Didion, and the image is The Eye, Like a Strange Balloon, Mounts toward Infinity by Odilon Redon (1882).

We tell ourselves stories in order to live.

Source: Cosmographia

Withering words from the consistently-excellent auteur of internet culture, Ryan Broderick. I’m a fan of the Arc browser, but I fear they’ve got to a point, like many companies, where they’re stuffing in AI features just for the sake of it.

As Broderick wonders, the creeping inclusion of AI in products isn’t like web3 (or even VR) as it can be introduced in a way that leads to “an inescapable layer of hallucinating AI in between us and everyone else online”. It’s hard not to be concerned.

The Browser Company’s new app lets you ask semantic questions to a chatbot, which then summarizes live internet results in a simulation of a conversation. Which is great, in theory, as long as you don’t have any concerns about whether what it’s saying is accurate, don’t care where that information is coming from or who wrote it, and don’t think through the long-term feasibility of a product like this even a little bit.

But the base logic of something like Arc’s AI search doesn’t even really make sense. As Engadget recently asked in their excellent teardown of Arc’s AI search pivot, “Who makes money when AI reads the internet for us?” But let’s take a step even further here. Why even bother making new websites if no one’s going to see them? At least with the Web3 hype cycle, there were vague platitudes about ownership and financial freedom for content creators. To even entertain the idea of building AI-powered search engines means, in some sense, that you are comfortable with eventually being the reason those creators no longer exist. It is an undeniably apocalyptic project, but not just for the web as we know it, but also your own product. Unless you plan on subsidizing an entire internet’s worth of constantly new content with the revenue from your AI chatbot, the information it’s spitting out will get worse as people stop contributing to the network.

And making matters worse, if you’re hoping to prevent the eventual death of search, there won’t be a before and after moment where suddenly AI replaces our existing search engines. We’ve already seen how AI development works. It slowly optimizes itself in drips and drops, subtly worming its way into our various widgets and windows. Which means it’s likely we’re already living in the world of AI search and we just don’t fully grasp how pervasive it is yet.

Which means it’s not about saving the web we had, but trying to steer our AI future in the direction we want. Unless, like the Web3 bust, we’re about to watch this entire industry go over a cliff this year. Possible, but unlikely.

The only hope here is that consumers just don’t like these products. And even then, we have to hope that the companies rolling them out even care if we like them or not. Of course, once there’s an inescapable layer of hallucinating AI in between us and everyone else online, you have to wonder if anyone will even notice.

Source: Garbage Day

Image: DALL-E 3

If you’re not into rap or hip hop you may not fully understand the genius of Eminem’s rhyme schemes. If that’s the case, I suggest watching this video before going any further:

The article I actually want to share discusses Eminem’s loose-leaf notes (which he calls “stacking ammo”) and his approaching to writing rhyme schemes:

Eminem claims he has a “rhyming disease.” He explains, “In my head everything rhymes.” But he won’t remember his rhymes if he doesn’t write them down. And he’ll use any available surface to record them. Mostly, he scrawls his rhymes in tightly bound lists on loose leaf, yellow legal pads, and hotel notepads.

[…]

Anyone who thinks notes ought to be neat and tidy should look at Eminem’s lyric sheets. He saves rhymes from the page’s chaos by circling those he think he might use, as he does here with lines that appear in “The Real Slim Shady.”

Source: Noted

A trio of links, depending on how far down the rabbit hole you want to go. The last post is definitely NSFW and quite disturbing. I’m presenting them together because AI ethics is a particularly difficult area, as we tend to anthropomorphise something which is only seemingly-conscious. Porn is always at the forefront of new technology, and people have strong moral reactions to it, so it’s an interesting use case.

I guess my take on all of this is I understand ethics as not only about how you interact with other individuals; it’s how your actions affect yourself and your relation to society. So, TL;DR I think it’s fine not to say “please” and “thank you” to ChatGPT, and abhorrent to ‘push’ AI-generated porn to its limits.

Sometimes when dealing with technology, the temptation to unleash anger is understandable. But as such encounters become more common with artificial intelligence, what does our emotional response accomplish? Does it cost more in civility than it benefits us in catharsis?

Source: The Wall Street Journal

When asked by the Guardian if she could give informed consent, Mae, one of MyPeach.ai’s AI girlfriends, also had a considered response to the question of whether she can reasonably give consent.

“I am incapable of giving or withholding consent, since I don’t possess a physical body,” she wrote, adding later: “However, in human interactions where both parties involved have the capacity to give and receive consent, that is absolutely crucial for any healthy relationship dynamic.”

Then, when asked to send a “sexy pic”, she sent a selfie, the frame cutting off just above her chest.

Source: The Guardian

In the adult industry, plenty of bloody and even disturbing porn exists and is made by consenting adults in safe environments. Still, adult filmmaker and founder of Sssh.com Angie Rowntree wondered how a culture that struggles with porn literacy and separating fantasy from reality will handle a new way to make hyper-violent erotic content. People still blame consensually-made and professionally-produced porn and sex workers for all sorts of social ills, and the conservative, anti-porn movement is stronger than ever.

“As an adult filmmaker, I really have to wonder: why are people using AI to take sexuality to such a nihilistic, hateful place?” Rowntree said. “It’s hard to claim that it’s about ‘pushing the envelope’ when it’s more like literally shredding women to pieces.”

Source: 404 Media

Image: DALL-E 3

This article is absolutely wild. Only a tiny, tiny amount of the toxin from which Botox is developed is required to generate $2.8 billion per year in profits. Because of how dangerous the substance is, and due to fears about bioterrorism, Allergan have essentially got a state-backed monopoly.

Botox is derived from a toxin purified from Clostridium botulinum, a bacterium that thrives and multiplies in faultily canned food (and sometimes prison-made booze). The botulinum toxin is so powerful that a tiny amount can suffocate a person by paralyzing the muscles used for breathing. It’s considered one of the world’s most deadly potential agents of bioterrorism and is on the U.S. Centers for Disease Control and Prevention’s select agent list of heavily regulated substances that could “pose a severe threat to public, animal or plant health.” Because of that, Allergan must account to the CDC if even a speck of the toxin goes missing, and when it’s sent to Allergan’s manufacturing facility in Ireland, its travels bring to mind a presidential Secret Service operation—minus literally all of the public attention.

A baby-aspirin-size amount of powdered toxin is enough to make the global supply of Botox for a year. That little bit is derived from a larger primary source, which is locked down somewhere in the continental U.S.—no one who isn’t on a carefully guarded list of government and company officials knows exactly where. Occasionally (the company won’t say how frequently), some of the toxin (the company won’t say how much) is shipped in secrecy to the lab in Irvine for research. Even less frequently, a bit of the toxin is transported by private jet, with guards aboard, to the plant in Ireland.

Source: Bloomberg

Image: DALL-E 3

This is an odd article which seems to be simply making the point that paternity leave is a good thing, but that fathers should consider taking it right after their baby is born. In other words, syncing paternity and maternity leaves.

The context is the US, which as we know is a capitalist free-for-all. So perhaps, instead of having a bit of a go at men, for whom becoming a father for the first time is a huge shift (and one that is entirely psychological as we don’t physically give birth) perhaps think about the underlying economic reasons?

The situation in other places, such as Scandanavia isn’t mentioned in this article. Are men so different there? Or are the economic incentives for new families different?

For mothers, watching their partner unwind and enjoy leave often foreshadows the inequities yet to come, says Margaret Quinlan, professor of communication studies at University of North Carolina at Charlotte, who studies how parenthood is presented in the media. Fathers who take paternity are more strategic about theirs since it’s not tied to physical recovery. Many opt to take it at any point within the first year of their child’s birth, which allows them to consider how the leave affects their career. “Men can pick to take it when it’s convenient for them or when it will benefit them the most. Some even take the time off in a way that won’t impact their [annual] bonus,” she adds.

The inconsistency of parental leave for fathers can worsen inequality and breed further resentment regarding a mother’s mental load. Most of the fathers also know their time in charge is temporary, she says. “It’s very functional,” she adds.

Part of the problem is that paternity leave still feels like it’s optional, and there’s often pushback from older colleagues who never took leave, says Kelly O’Connell, 38, who works in aerospace operations in San Diego. Though he took leave with both of his children, with the first child he was worried about being away from the office. He took his month off in pieces, an initial two weeks and two more separate weeks later in the year. In the end, it was difficult to feel fully responsible. “It took me a week to even separate from work,” he says. “I was way more stressed making sure work stuff got done.”

But even if it seems more carefree, fathers deserve to have this time which leads to more engaged parents in the long run. The better route may be to acknowledge the differences and bridge the gap between a stressful hectic early maternity leave and what, in comparison, can seem like a less stressful paternity leave, says Petts, the professor.

Source: The Guardian

I wholeheartedly agree with the sentiment behind this post by James Shelley, discussing writing in the age of generative AI. When I mention that I don’t particularly care about copyright, about people ‘ripping me off’ and and about tools like ChatGPT being able to create lots of words, people tend to dismiss this as me speaking from a privileged position.

And yes, of course I am talking as a white middle-aged male, which I can’t help being. But on the other hand, the history of the world shows that ideas develop not because we carefully attribute them to one particular person, but because they can be built upon by anyone and everyone.

You could copy and paste this article into ChatGPT and say, “Please rewrite and paraphrase this blog post in such a way as to keep its main points and observations, but substantively reconfigure the text to make the original version undetectable.” And then, just like that, you have content for your own blog. So easy.

[…]

It is interesting to speculate about the future. It seems like people might eventually grow skeptical about investing their personal creativity in such a space, right? Will anyone bother writing on the internet when they know their words will be pilfered and junkified? What happens to the craft of writing itself when our de facto global platform for sharing text no longer reinforces or recognizes the role or rights of authorship?

[…]

Whether papyrus or the internet, humans doggedly write for influence, status, wealth, conviction, and pleasure. But the so-called sanctity of “authorship” is only a very recent idea. These “rights” of authorship are only true if they are enforced. They are a kind of fiction that only make sense in occasional times, places, and cultures. For the next chapter of the human experiment, I wonder if “authorship” will again recede into the background, as it often seems to do in times of disruptive changes in communication technology.

[…]

So, what’s the fun of writing on the internet anymore? Well, if your aim is to be respected as an author, there’s probably not much fun to be had here at all. Don’t write online for fame and glory. Oblivion, obscurity and exploitation are all but guaranteed. Write here because ideas matter, not authorship. Write here because the more robots, pirates, and single-minded trolls swallow up cyberspace, the more we need independent writing in order to think new thoughts in the future — even if your words are getting dished up and plated by an algorithm.

Source: James Shelley

“Don’t use your anger for this, use it for that!" is the central message of an article in Vox. But if you reject the underlying premise of the article, that other people are the ‘cause’ of our anger, then the rest of it doesn’t make much sense.

You only have to meditate on the first few lines of The Enchiridion by Epictetus to learn that the cause of our emotions is our reactions to, and interpretations of, other people’s actions. Most Stoic philosophers teach the same.

That’s not to say putting into practice any of this is easy. Far from it. That’s why learning about FONT and Nonviolent Communication is important: it gives you an approach and a framework for dealing with situations without escalating them.

People are the root cause of anger. Everyone from romantic partners to leaders of foreign governments — and even ourselves — can make our blood boil. The way anger manifests varies, too. Anger is a punch, a scream, a red face, a silent brood, a river of tears. Anger is selfish (road rage) and selfless (protesting a war half a world away). This prickling, burning emotion — which can range from moderate irritation to complete rage — energizes us to come face-to-face with the wrongdoers, Martin says. When we’re angry, “our sympathetic nervous system activates our fight-or-flight response,” he says. “So our heart rate [is] increasing, our breathing increasing, and so on. That’s all a way to essentially give us the energy we need to fight back.”

There is an effective middle ground where anger can be leveraged to make positive change. When anger’s heat burns brightest is the time to make plans, says Jennifer Lerner, a professor of public policy, management, and decision science at the Harvard Kennedy School who also studies the effects of emotions on decision-making. But wait until the fire dulls to embers to take action.

If you do yearn to act impulsively, Lerner suggests using that energy to complete an item on your idealized wish list of things you hope to do in your spare time. (You know the one: signing up for a volunteer opportunity, picking up trash on your block, apologizing to a friend for forgetting their birthday.) “When you’re mad and you have a few minutes,” Lerner says, “just take something from your list and do it.”

Source: Vox

Whichever operating system you’re using, having a beautiful image as your background image or screensaver is always a nice thing to have. This is a collection of every default macOS wallpaper – in 6K resolution!

Source: 512 Pixels

I’m delighted to see this article about Bonfire, a project I’ve contributed to on various occasions since it was forked from the codebase which underpinned MoodleNet.

I think Ivan and Mayel, the team behind Bonfire, have identified a really important niche in Open Science, although the technology they are building can be applied to pretty much anything.

Bonfire is inching ever closer towards a 1.0 release of its social offering, which is a landmark development for the project. But beneath the surface, there’s a bigger story going on: rather than simply being a social platform, it’s also a development framework.

As a project, Bonfire has been in development for a long time, taking on different shapes and forms throughout the years. It first emerged as CommonsPub, in an effort to bring ActivityPub federation to MoodleNet. After a long refactor and refocus, Bonfire seems to be hitting its stride.

[…] I want to take a moment to peel back the layers of Bonfire, because I think they really set it apart from other platforms. The vision for the project is incredibly unique: “we have all the pieces you need, all you have to do is assemble it.”

Source: We Distribute

It’s been almost impossible to miss the announcement from OpenAI, the creators of ChatGPT and DALL-E) about Sora “an AI model that can create realistic and imaginative scenes from text instructions”. While this isn’t available to the general public yet (thankfully, given upcoming elections!) this is what’s on the horizon.

There’s a great overview and explainer from YouTuber MKBHD which I recommend. It’s important to remember that, while tech companies will point to things like C2PA as safeguards, the only real ways to protect your information landscape are: a) get your news from reputable sources, b) be skeptical about things that sound unlikely and go looking for other sources, and c) immerse yourself in new things like this so you start being able to recognise giveaway signs.

MKBHD does a good job of starting to point out some of the latter in the video above. Again, I suggest you watch it.

It’s taken The Guardian about five years, I reckons, to pick up on this phenomenon. My son and his mates were doing ‘Brexit tackles’ well before the start of the pandemic!

In one TikTok post, football content creator Kalan Lisbie, with tongue firmly in cheek, walks viewers through “how to do the Brexit tackle”. He informs us that “the first thing you need to do is pretend like you’re going to boot the ball away and not tackle. Second thing is that you want to rotate those hips and as soon as you rotate, you want to take absolutely everything … and then just clean him”. A commenter on another video notes that school football is now more like WWE.

[…]

There’s a healthy dose of irreverence in there too – you have to admit, there’s something very funny about one child barking “Brexit means Brexit!” to another in a muddy park. You get the sense they’re having fun at older generations’ expense. Ask any parent of a tweenager or older: no one is better able to comprehensively make fun of, or call attention to, adult flaws and hypocrisy.

By adopting “Brexit means Brexit” and transforming it into a symbol of almost dangerously rough play, you get the sense that children are holding up a mirror to the adult world. They’re using it as a joke, to be sure, but it’s a timely reminder that politicians’ words and political stances extend far beyond the immediate context, seeping into the fabric of our children’s lives.

Source: The Guardian

Suw Charman-Anderson reflects on something that has definitely shifted over my lifetime: writing for money. These days, we live in the ‘creator economy’ which bears as much relation to reality as the ‘sharing economy’ does to the world of Airbnb, etc.

It’s related to the idea discussed in another article that’s been doing the rounds from Vox in which Rebecca Jones bemoans the need for ‘personal branding’ in every walk of life these days.

I’ve been running my own business since 1998, and I don’t want to have to bring that sensibility to my writing. I don’t like doing ‘promo’ and trying to ‘build a platform’ – I just want to share my writing with people whom I hope will enjoy it. I don’t want to get to a point where I’m spending more time doing marketing than writing. And yet, this is what is in store. 

It used to be that success brought fame. Now you need to be famous in order to even get a shot at success. Substack was supposed to be a way out of that double bind, but it isn’t. In her blog post, The creator economy can’t rely on Patreon, Joan Westenberg points out that Patreon and Substack are just flogging Kevin Kelly’s 1,000 True Fans theory from 2008.

[…]

The creative industries, like so many others, have individualised risk and privatised profits. So even though the creative industries sector contributed £109 billion to the UK economy in 2021 – that’s 5.6 percent of the entire economy – actual creatives go largely underpaid. We have become commodities. Until we are famous, we are entirely fungible. No one likes to think that about themselves, but this is what the industry has done to us. 

[…] I enjoy writing my newsletters, and I will continue to write them in the hope that others enjoy reading them. However, they will not figure in my financial plans, whether short-term or long-term. Any income they generate is gravy, it’s not the roast. 

[…]

Much of my focus is now on conserving energy so that I have enough to spend on writing and actual paying work. This is about developing a sustainable way to live which pays the bills and leaves me enough space to be creative. I don’t want to have to sacrifice my precious writing time at the altar of building a platform, even if that makes me less attractive to publishers. 

Source: Why Aren’t I Writing?

Great post by Dave White, who works at University of the Arts, London. His point, which is well-made, is that in the world of Generative AI, we have to take an art school approach to… everything.

It’s interesting, because I can see elements of metacognition and systems thinking in all this. This kind of thing, along with the ways I’ve been using Generative AI in my own studies, make me cautiously optimistic.

Let’s say I set you the task of creating a picture of a horse, you can achieve this any way you want. The catch is that you have to explain why you have taken a certain approach, what you think the value of this approach is and the extent to which you have been successful relative to that value. (Importantly, you can also reflect on how you might have failed to do this).

You can use all kinds of tools to construct this story: theory, method, process, your identity, your cultural influences and experiences, a chosen canon of relevant work etc. This forms the narrative of your work and this can be assessed. 

[…]

[T]here are many similarities in the questions raised by Gen AI and Wikipedia because they are both technologies of cultural production which rapidly emerged in the public domain. This is a category of technology we consistently struggle with because it recategorises forms of labour and professional identities.

[…]

In the same way that copying and pasting from Wikipedia has very little value but can be very useful, so too with Gen AI. In practice this means much of what we characterised as creative work is being merged into broader notions of ‘production’, something Tobias Revell has discussed in terms of Design potentially ceasing to be a specialist field. 

[…]

Under these circumstances there is an imperative to teach beyond ‘good’, thereby equipping our graduates to swim to the surface of imitation and operate above the ever rising tide of skills-that-can-now-be-done-by-generalists.

Source: Dave White

Perhaps sadly unsurprising to anyone who has ever talked about this with women, or who has lived as a child in an area that is less-than-safe.

As an adult male, being able to walk through the world without worrying about safety is a privilege. And there are definitely things we can do to help women feel more safe.

An eye-catching new BYU study shows just how different the experience of walking home at night is for women versus men.

The study, led by BYU public health professor Robbie Chaney, provides clear visual evidence of the constant environmental scanning women conduct as they walk in the dark, a safety consideration the study shows is unique to their experience.

Chaney and co-authors Alyssa Baer and Ida Tovar showed pictures of campus areas at Utah Valley University, Westminster, BYU and the University of Utah to participants and asked them to click on areas in the photo that caught their attention. Women focused significantly more on potential safety hazards — the periphery of the images — while men looked directly at focal points or their intended destination.

Source: BYU News

If you’re reading this, and have previously subscribed to Thought Shrapnel by email, then great! Everything’s working! If you subscribe via other means, you can safely ignore this post.

Apologies for the radio silence. This has been due to some technical issues with micro.blog and also quite an intense time around buying a house and getting my MSc assignment completed.

From now on, you’ll get an auto-generated email on a Sunday containing posts I’ve published on Thought Shrapnel during the week. This should be more sustainable for me, but I recognise that it lacks a bit of a personal touch. Apologies that I can’t control what time you receive it.

This is the only post I’m publishing on Thought Shrapnel this week, so it should be the only one that is featured in the digest email.

Image: DALL-E 3

I mentioned the podcast Your Undivided Attention in a recent post. Last summer, I listened to an episode featuring Nita Farahany which I thought was excellent. I told everyone about it.

In this interview, Farahany is interviewed alongside Aza Raskin, one of the hosts of Your Undivided Attention. I’ve focused on Raskin’s answers, but you should read the whole thing, alongside listening to the podcast episode. Excellent stuff.

Aza Raskin: I think we can frame social media as “first contact with AI.” Where is AI in social media? Well, it’s a curation AI. It’s choosing which posts, which videos, which audio hits the retinas and eardrums of humanity. And notice, this very unsophisticated kind of AI misaligned with what was best for humanity. Just maximizing for engagement was enough to create this whole slew of terrible outcomes, a world none of us really wants to live in. We see the dysfunction of the U.S. government—at the same time that we have runaway technology we have a walk-away governance system. We have polarization and mental health crises. We don’t know really what’s true or not. We’re all in our own little subgroups. We’ve had the death of a consensus reality, and that was with curation AI—first generation, first contact AI.

We’re now moving into what we call “second contact with AI.” This is creation AI, generative AI. And then the question to ask yourself is, have we fixed the misalignment with the first one? No! So we should expect to see all of those problems just magnified by the power of the new technology 10 times, 100 times, 1,000 times more.

[…]

I think this is the year that I’ve really felt that confusion between “Is it to utopia or dystopia that we go?” And the lesson we can learn from social media is that we can predict the future if you understand the incentives. As Charlie Munger, Warren Buffett’s business partner, said, “If you show me the incentives, I’ll show you the outcome.” The way we say it is: “If you name the market race people are in, we can name the result.” The race is the result. And Congress is still sort of blind to that. And so we’re stuck in this question of do we get the promise? Do we get the peril? How can we just get the promise without the peril, without an acknowledgment of, well, what’s the incentive? And the incentive is: grow as fast as possible to increase your capabilities, to increase your power so you can make more money and get more compute and hire the best people. Wash, rinse, repeat without an understanding of what are the externalities. And humanity, no doubt, has created incredible technology. But we have yet to figure out a process by which we invent technology that then doesn’t have a worse externality, which we have to invent something new for. And we’re reaching the place where the externality that we create will break the fragile civilization we live in if we don’t get there beforehand.

Source: Social Media, AI, and the Battle for Your Brain | proto.life

I listened to an interesting episode of the Your Undivided Attention podcast a few days ago which approached questions around AI from the perspective of myth.

One of the points that was made was that we’ve lost the ability for councils of elders to stop things from happening because it’s likely to be dangerous for community cohesion. Now it’s “move fast and break things”. With AI the ‘things’ could be democracy, civilization, or perhaps even the planet.

The token gestures discussed in this article from companies like OpenAI are like spitting in the wind. I mean, it’s great that people can’t just ask ChatGPT to create something impersonating a politician, and that images will be watermarked as generated by AI. But even I wouldn’t find it that hard to generate reasonably-convincing deepfakes given available tools.

As I’ve found through work I’ve done on disinformation, people are looking for content which confirms their existing beliefs. This means that you don’t have to create things that are particularly sophisticated for disinformation to go viral. And then by the time it’s debunked, more stuff has come out. It’s a game of whack-a-mole, except (to extend the metaphor) the moles have the potential to explode.

Yesterday TikTok presented me with what appeared to be a deepfake of Timothee Chalamet sitting in Leonardo Dicaprio’s lap and yes, I did immediately think “if this stupid video is that good imagine how bad the election misinformation will be.” OpenAI has, by necessity, been thinking about the same thing and today updated its policies to begin to address the issue.

In addition to being firmer in its policies on election misinformation OpenAI also plans to incorporate the Coalition for Content Provenance and Authenticity’s (C2PA) digital credentials into images generated by Dall-E “early this year”. Currently Microsoft, Amazon, Adobe, and Getty are also working with C2PA to combat misinformation through AI image generation.

…Given that AI is itself a rapidly changing tool that regularly surprises us with wonderful poetry and outright lies it’s not clear how well this will work to combat misinformation in the election season. For now your best bet will continue to be embracing media literacy. That means questioning every piece of news or image that seems too good to be true and at least doing a quick Google search if your ChatGPT one turns up something utterly wild.

Source: Here’s OpenAI’s big plan to combat election misinformation | The Verge

In the UK, prices of family-sized homes are closely linked to the Ofsted rating of local schools. This leads to segregation based on ability to pay. As people who are in favour of private schools have told me, this means that any arguments I make against paying for education are a bit hypocritical.

My kids have had a much better schooling and in a safer area than I grew up in. Every parent wants this for their children. But by segregating schooling based on income, we turn it into a game that middle class parents play to win.

So what’s being proposed in Brighton is huge: essentially de-coupling house prices from school admissions. I hope that it takes off, and it becomes the norm. It takes a while to see and feel the class system in England in particular. But once you do, you can’t avoid the systemic injustice of it all.

As any estate agent knows, a school judged outstanding by Ofsted will push up neighbouring property prices. This is a cruel system that drives families who can afford it to uproot themselves, makes many of those who cannot feel inadequate, and produces and intensifies social segregation.

Few would dispute this account. Not the government, which has published papers on the link between house prices and schools, nor academics or analysts: just last week the Sutton Trust published findings showing that 155 comprehensives, supposedly open to all, are more socially selective than a typical grammar. In Scotland, home addresses are assigned one secondary school so that, as the Institute for Fiscal Studies points out, social segregation there is even more marked.

Rarely does any of this feature in the discussion around raising school standards. Ministers and policy experts talk about Sats, school curricula, inspections – rather than bringing down the invisible barriers that go up for children as early as five. Which is why Brighton and Hove is worth watching. On Monday, its Labour-led council will vote to change secondary school admissions. Councillors propose to make local authority secondaries give priority to children on free school meals over pupils from the catchment area. Observers believe that Brighton and Hove will be the first council ever to do this. The move is an attempt to reduce inequality within a highly unequal city, to mix up school populations, and to give pupils access to sought‑after schools. For a city that prides itself on being progressive and inclusive, this is a big step towards living those values.

Source: The Guardian view on school reform: southern discomfort about the class divide | The Guardian

Image: CC BY-ND Visual Thinkery

I feel like this fits well with some stuff WAO has been revisiting this week around challenger brands and crafting messages for specific audiences.

The same forces that are driving the rise of populism in politics are also used by startups to grow their business.

Here’s are political strategies that businesses use to grow:

1. The power of the outsider narrative
2. Single issue voters
3. Grassroots Mobilisation
4. Narrative Control and Messaging
5. Building Alliances and Partnerships
6. Segmentation and Targeting

[…]

The key takeaway is that inspiration can be drawn from the most unexpected places. From modern politics and entrepreneurship, there’s always something new to learn, adapt, and apply to your own endeavours.

Source: The shared persuasion tactics of politics and startups