Thought Shrapnel

I’ve been listening to KNEECAP for the last couple of years since hearing one of their tracks on BBC 6 Music. And I really enjoyed the lightly fictionalised self-titled film of their origin story. But the best thing about them, I think, is how unashamedly political they are.

This has managed to get the trio (DJ Próvai, Mo Chara and Móglaí Bap) into a spot of bother, especially in the political climate where pointing out that Israel is carrying out a genocide against innocent Palestinians is, apparently, a controversial statement?

It’s always worth looking at who the establishment try to proscribe. Sometimes it’s because they’re speaking truth to power.

Israel has been carrying out a full-scale military campaign on occupied Gaza for almost two years, an onslaught triggered by Hamas’s 7 October 2023 attack on southern Israel, in which about 1,200 people were killed. The UN has found Israel’s military actions to be consistent with genocide, while Amnesty International and others have claimed Israel has shown an “intent to destroy” the Palestinian people. At least 56,000 Palestinians are now missing or dead, with studies at Yale and other universities suggesting the official tolls are being underestimated. (In July 2024, the Lancet medical journal estimated the true death toll at that point could be more than 186,000.) But away from Kneecap and other outspoken artists, across the creative industries as a whole relatively few have spoken about Gaza in such stark terms.

“The genocide in Palestine is a big reason we’re getting such big crowds at our gigs, because we are willing to put that message out there,” says Ó hAnnaidh. “Mainstream media has been trying to suppress that idea about the struggle in Palestine. People are looking at us as, I don’t know, a beacon of hope in some way – that this message will not be suppressed. The music is one thing, but the message is a big part of why we’re getting across.”

As working-class, early-career musicians, Kneecap have a lot more to lose by speaking out than more prominent artists, but Ó Cairealláin says this is beside the point. “You can get kind of bogged down talking about the people who aren’t talking enough or doing enough, but for us, it’s about talking about Palestine instead of pointing fingers,” he says. “There’s no doubt that there’s a lot of bands out there who could do a lot more, but hopefully just spreading awareness and being vocal and being unafraid will encourage them.”

Ó Dochartaigh adds: “We just want to stop people being murdered. There’s people starving to death, people being bombed every day. That’s the stuff we need to talk about, not fucking artists.”

There’s no doubt that Kneecap’s fearlessness when it comes to speaking about Palestine is a key part of their appeal for many: during a headline set at London’s Wide Awake festival last month, days after Ó hAnnaidh was charged for support of a terror organisation, an estimated 22,000 people chanted along with their calls of “free, free Palestine”. And thousands showed up to their Coachella sets – which the band allege is why so many pro-Israel groups were quick to push back on them, despite the fact that they had been displaying pro-Palestine messages for such a long time.

“We knew exactly that this was going to happen, maybe not to the extreme [level] that it has, but we knew that the Israeli lobbyists and the American government weren’t going to stand by idly while we spoke to thousands of young Americans who agree with us,” says Ó hAnnaidh. “They don’t want us coming to the American festivals, because they don’t want videos of young Americans chanting ‘free Palestine’ [even though] that is the actual belief in America. They just want to suppress it.”

The support for the message, says Ó Dochartaigh is “all genders, all religions, all colours, all creeds. Everybody knows what’s happening is wrong. You can’t even try to deny it now – Israel’s government is just acting with impunity and getting away with it. Us speaking out is a small detail – it’s the world’s governments that need to do something about it.”

Source: The Guardian