Angus Hervey is a solutions journalist and founding editor of Fix The News. His most recent TED talk starts with doom and gloom, and ends with hope and a question:

Real life isn’t a story. History doesn’t have a moral arc. Progress isn’t a rule. It is contested terrain, fought for daily by millions of people who refuse to give in to despair. Ultimately, none of us know whether we’re living in the downswing or the upswing of history. But I do know that we all get a choice. We, all of us, get to decide which one of these stories we are a part of. We add to their grand weave in the work that we do, in the daily decisions we make about where to put our money, where to put our energy and our time, in the stories we tell each other and in the words that come out of our mouths. It is not enough to believe in something anymore. It is time to do something. Ask yourself, if our worst fears come to pass, and the monsters breach the walls, who do you want to be standing next to? The prophets of doom and the cynics who said “we told you so?” Or the people who, with their eyes wide open, dug the trenches and fetched water. Both of these stories are true. The only question that matters now is which one do you belong to?

The backstory to the talk is interesting: not only did Hervey and his partner welcome a new baby into the world just weeks before, he decided to do things a bit differently.

On the eve of my flight to Vancouver I had a script, a four-week-old baby, a ten-minute video, a seven-minute music track, and a prayer that I could hold it all together on stage.

It’s the first TED talk I’ve seen to use all three screen as a single canvas:

How do you tell a compelling visual story on a screen the size of a small building? For my last big talk, I used all three screens as a single canvas, instead of the traditional 16:9 format. This time, I wanted to go even further: a seamless, immersive experience that would make the audience forget they were watching a presentation at all.

After the initial call with the curation team, I reached out to Jordan Knight, a motion designer based in New York. Her work has this textural, flowing quality that I knew would be perfect for bringing the story to life. The concept I had in mind was ambitious, maybe foolishly so. I wanted two contrasting visual languages: the story of collapse illustrated through ink-blot shapes inspired by the alien language in Arrival - those haunting, oil-spill forms that Denis Villeneuve used so brilliantly. For progress, we’d use the opposite motif: green shoots, growth, life pushing through.

Sources: TED.com / Fix The News