Scene showing cowboys. Caption reads: Their knowledge of life owed nothing to either their sporadic presence in the inner sanctum of university colleges and departments nor to various diplomas they had acquired by the most diverse and least respectable means

Warren Ellis' Orbital Operations is always worth reading, but the most recent issue in particular is a goldmine. I could post every image from it, including the Bayeux Tapestry one. But my mother reads this, and although I’m middle-aged, I still don’t want to disappoint her by including unnecessary profanity here 😅

What interests me about the above image is that this kind of re-contextualisation has been going on for so long, and massively pre-dates the internet. As someone who was a mid-teenager when first getting onto the internet, I’m too young to remember anything like this.

I need to think more about this, but, inspired by Episode #62 of the In Bed With The Right podcast, there’s a way in which you can see AI-generated imagery shared on social media by ‘conservatives’ as the fascist-adjacent version of this. Except, instead of being clever commentary, it’s lazy nostalgia-baiting.

1966: University of Strasbourg Student Union funds are lifted by Situationist sympathisers to print Andre Bertrand’s short comic RETURN OF THE DURUTTI COLUMN, which used stills from Hollywood movies in a process then termed detournement: familiar materials recontextualised in opposition (or at strange angles) to their original intent. This is something so common on the internet now that most people may not know there’s a word for it. The only useful Google hit I can find for Andre Bertrand today is, funnily enough, the Wikipedia page for an attorney who specialises in copyright law.

Source and image: Orbital Operations