The inevitable cracks in a rigid software logic that enables the surprising, delightful messiness of humanity to shine through
I’ve been following the development of Are.na since the early days of leading the MoodleNet project. It’s a great example of a platform that serves a particular niche of users (“connected knowledge collectors”) really well.
In this Are.na editorial, Elan Ullendorff — a designer, writer, and educator — talks about the course he teaches. In it, he helps students research and map algorithms, before writing their own, and releasing them to the world.
I write a newsletter, teach a course, and run workshops all called “escape the algorithm.” The implicit joke of the name’s particularity (not “escape algorithms” but “escape the algorithm”) is that living outside of algorithms isn’t actually possible. An algorithm is simply a set of instructions that determines a specific result. The recommendation engine that causes Spotify to encourage you to listen to certain music is a cultural sieve, but so were, in a way, the Billboard charts and radio gatekeepers that preceded it. There have always been centers of power, always been forces that exert gravitational pulls on our behavior.
The anxiety isn’t determined by the presence or absence of code. It comes from a lack of transparency and control. You are susceptible whether or not TikTok exists, whether or not you delete it. Logging off is one tool, but it will not alone cure you.
Instead of withdrawing, I encourage my students to dive deeper, engaging with platforms as if they were close reading a work of literature. In doing so, I believe that we can not only better understand a platform’s ideological premises, but also the inevitable cracks in a rigid software logic that enables the surprising, delightful messiness of humanity to shine through. And in so doing, we might move beyond the flight response towards a fight response. Or if it is a flight response, let it be a flight not just away from something, but towards something.
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Resisting the paths most traveled invites us to look at the platforms we use with a critical eye, leading us to new forms of critique, making visible parts of the world and culture that are out of our view, and inspiring entirely new ways of navigating the web.
Take Andrew Norman Wilson’s ScanOps, a collection of Google Books screenshots that include the hands of low-paid Google data entry workers, or Chia Amisola’s The Sound of Love, which curates evocative comments on Youtube songs. Then there’s Riley Walz’s Bop Spotter (a commentary on ShotSpotter, gunshot detection microphones often licensed by city governments), a constantly Shazam-ing Android phone hidden on a pole in the Mission district.
Source: Are.na
Image: Андрей Сизов