Substack bros
Having a moral compass can sometimes make life more difficult. I literally turned down a ridiculously well-paid gig last month because it contravened my ethical code. While that particular example was relatively clear cut, it’s more difficult when it comes to things like platforms which are used for free. At what point does your use of it become out of alignment with your values?
Twitter turning to X is a good example of this, with some people leaving a long time ago (🙋) while others, for some inexplicable reason, are still on there. I’d argue that the next service to be recognised as toxic is probably going to be Substack. I hosted Thought Shrapnel there briefly for a few weeks at the end of last year, but left when they started platforming Nazis. They seem to be at it again (here’s an archive version as that link was down at the time of writing).
While I wanted to give that context, this post is actually about a particular style of writing that is popular on Substack. I discovered this via Robin Sloan’s newsletter, which (thankfully) is written in a style at odds with the opposite of the advice given by Max Read, a relatively-successful Substacker. What Read says about being a “textual YouTuber” is spot-on. I can’t imagine anything more awful than watching video after video, but I will read and read until the proverbial cows come home.
The other thing which I think Read gets right is something I was discussing the other day (IRL I’m afraid, no link!) about how everyone wants Strong Opinions™ these days and to be the “main character.” My own writing these days is almost the opposite of that: slightly philosophical, with provisional opinions and, while introspective, not presenting myself as the hero of the story.
My standard joke about my job is that I am less a “writer” than I am a “textual YouTuber for Gen Xers and Elder Millennials who hate watching videos.” What I mean by this is that while what I do resembles journalistic writing in the specific, the actual job is in most ways closer to that of a YouTuber or a streamer or even a hang-out-type podcaster than it is to that of most types of working journalist. (The one exception being: Weekly op-ed columnist.) What most successful Substacks offer to subscribers is less a series of discrete and self-supporting pieces of writing–or, for that matter, a specific and tightly delimited subject or concept–and more a particular attitude or perspective, a set of passions and interests, and even an ongoing process of “thinking through,” to which subscribers are invited. This means you have to be pretty comfortable having a strong voice, offering relatively strong opinions, and just generally “being the main character” in your writing. And, indeed, all these qualities are more important than any kind of particular technical writing skill: Many of the world’s best (formal) writers are not comfortable with any of those things, while many of the world’s worst writers are extremely comfortable with them.
So, part of your job as a Substacker is is “producing words” and part of your job is “cultivating a persona for which people might have some kind of inexplicable affection or even respect.”
Source: Read Max
Image: Steve Johnson