Tag: TikTok (page 1 of 2)

Lessin’s five steps and the coming AI apocalypse

I’m not really on any of the big centralised social networks any more, but I’m interested in the effect they have on society. Apparently there have been calls recently complaining about, and resisting, changes that Instagram has made.

In this post, Ben Thompson cites Sam Lessin, a former Facebook exec, who suggests we’re at step four of a five-step process.

  1. The Pre-Internet ‘People Magazine’ Era
  2. Content from ‘your friends’ kills People Magazine
  3. Kardashians/Professional ‘friends’ kill real friends
  4. Algorithmic everyone kills Kardashians
  5. Next is pure-AI content which beats ‘algorithmic everyone’

There’s a bit in this post which I think is a pretty deep insight about human behaviour, identity, and the story we like to tell ourselves. Again, it’s Thompson quoting Lessin:

I saw someone recently complaining that Facebook was recommending to them…a very crass but probably pretty hilarious video. Their indignant response [was that] “the ranking must be broken.” Here is the thing: the ranking probably isn’t broken. He probably would love that video, but the fact that in order to engage with it he would have to go proactively click makes him feel bad. He doesn’t want to see himself as the type of person that clicks on things like that, even if he would enjoy it.

So TikTok and other platforms reducing the need for human interaction to deliver ‘engaging’ content have the capacity to fundamentally change the way we think about the world.

In another, related, post Charles Arthur scaremongers about how AI-created content will overwhelm us:

I suspect in the future there will be a premium on good, human-generated content and response, but that huge and growing amounts of the content that people watch and look at and read on content networks (“social networks” will become outdated) will be generated automatically, and the humans will be more and more happy about it.

In its way, it sounds like the society in Fahrenheit 451 (that’s 233ºC for Europeans) though without the book burning. There’s no need: why read a book when there’s something fascinating you can watch instead?

Quite what effect this has on social warming is unclear. Possibly it accelerates polarisation, but rather like the Facebook Blenderbot, people are just segmented into their own world, and not shown things that will disturb them. Or, perhaps, they’re shown just enough to annoy them and engage them again if their attention seems to be flagging. After all, if you can generate unlimited content, you can do what you want. And as we know, what the companies who do this want is your attention, all the time.

As ever, I don’t think we’re ready for this. Not even close.


Sources: Instagram, TikTok, and the Three Trends | Stratechery by Ben Thompson and The approaching tsunami of addictive AI-created content will overwhelm us | Social Warming by Charles Arthur

Social-first searching

I don’t see this as such a weird thing, especially when it comes to food. For example, my wife follows lots of local places on Instagram and will research new places using that app when we travel. I tend to use Google Maps for that kind of thing. Neither of us would start with a regular web search, because context is important.

Even back prior to 2010, I can remember Drew Buddie doing a TeachMeet presentation on ‘Twitter is my Google’. The point is that humans are social creatures. We want recommendations and to see what we could be potentially missing out on…

Nearly 40% of Gen Z prefers searching on TikTok and Instagram over Google Search and Maps, according to Google’s internal data first reported by TechCrunch.

Google confirmed this statistic to Insider, saying, “we face robust competition from an array of sources, including general and specialized search engines, as well as dedicated apps.”

Source: Nearly Half of Gen Z Prefers TikTok and Instagram Over Google Search | Business Insider

Brand-safe influencers and the blurring of reality

Earlier this week, in a soon-to-be released episode of the Tao of WAO podcast, we were talking about the benefits and pitfalls of NGOs like Greenpeace partnering with influencers. The upside? Engaging with communities that would otherwise be hard-to-reach. The downside? Influencers can be unpredictable.

It’s somewhat inevitable, therefore, that “brand-safe” fictional influencers would emerge. As detailed in this article, not only are teams of writers creating metaverses in which several characters exist, but they’re using machine learning to allow fans/followers to “interact”.

The boundary between the real and fictional is only going to get more blurred.

FourFront is part of a larger wave of tech startups devoted to, as aspiring Zuckerbergs like to say, building the metaverse, which can loosely be defined as “the internet” but is more specifically the interconnected, augmented reality virtual space that real people share. It’s an undoubtedly intriguing concept for people with a stake in the future of technology and entertainment, which is to say, the entirety of culture. It’s also a bit of an ethical minefield: Isn’t the internet already full of enough real-seeming content that is a) not real and b) ultimately an effort to make money? Are the characters exploiting the sympathies of well-meaning or media illiterate audiences? Maybe!

On the other hand, there’s something sort of darkly refreshing about an influencer “openly” being created by a room of professional writers whose job is to create the most likable and interesting social media users possible. Influencers already have to walk the delicate line between aspirational and inauthentic, to attract new followers without alienating existing fans, to use their voice for change while remaining “brand-safe.” The job has always been a performance; it’s just that now that performance can be convincingly replicated by a team of writers and a willing actor.

Source: What’s the deal with fictional influencers? | Vox