Tag: The Verge

Friday fabrications

These things made me sit up and take notice:


Image via xkcd

Friday fumblings

These were the things I came across this week that made me smile:


Image via Why WhatsApp Will Never Be Secure (Pavel Durov)

Confusing tech questions

Today is the first day of the Consumer Electronics Show, or CES, in Las Vegas. Each year, tech companies showcase their latest offerings and concepts. Nilay Patel, Editor-in-Chief for The Verge, comments that, increasingly, the tech industry is built on a number of assumptions about consumers and human behaviour:

[T]hink of the tech industry as being built on an ever-increasing number of assumptions: that you know what a computer is, that saying “enter your Wi-Fi password” means something to you, that you understand what an app is, that you have the desire to manage your Bluetooth device list, that you’ll figure out what USB-C dongles you need, and on and on.

Lately, the tech industry is starting to make these assumptions faster than anyone can be expected to keep up. And after waves of privacy-related scandals in tech, the misconceptions and confusion about how things works are both greater and more reasonable than ever.

I think this is spot-on. At Mozilla, and now at Moodle, I spend a good deal of my time among people who are more technically-minded than me. And, in turn, I’m more technically-minded than the general population. So what’s ‘obvious’ or ‘easy’ to developers feels like magic to the man or woman on the street.

Patel keeps track of the questions his friends and family ask him, and has listed them in the post. The number one thing he says that everyone is talking about is how people assume their phones are listening to them, and then serving up advertising based on that. They don’t get that that Facebook (and other platforms) use multiple data points to make inferences.

I’ll not reproduce his list here, but here are three questions which I, too, get a lot from friends and family:

“How do I make sure deleting photos from my iPhone won’t delete them from my computer?”

“How do I keep track of what my kid is watching on YouTube?”

“Why do I need to make another username and password?”

As I was discussing with the MoodleNet team just yesterday, there’s a difference between treating users as ‘stupid’ (which they’re not) and ensuring that they don’t have to think too much when they’re using your product.

Source: The Verge (via Orbital Operations)

What the EU’s copyright directive means in practice

The EU is certainly coming out swinging against Big Tech this year. Or at least it thinks it is. Yesterday, the European Parliament voted in favour of three proposals, outlined by the EFF’s indefatigable Cory Doctorow as:

1. Article 13: the Copyright Filters. All but the smallest platforms will have to defensively adopt copyright filters that examine everything you post and censor anything judged to be a copyright infringement.

2. Article 11: Linking to the news using more than one word from the article is prohibited unless you’re using a service that bought a license from the news site you want to link to. News sites can charge anything they want for the right to quote them or refuse to sell altogether, effectively giving them the right to choose who can criticise them. Member states are permitted, but not required, to create exceptions and limitations to reduce the harm done by this new right.

3. Article 12a: No posting your own photos or videos of sports matches. Only the “organisers” of sports matches will have the right to publicly post any kind of record of the match. No posting your selfies, or short videos of exciting plays. You are the audience, your job is to sit where you’re told, passively watch the game and go home.

Music Week pointed out that Article 13 is particularly problematic for artists:

While the Copyright Directive covers a raft of digital issues, a sticking point within the music industry had been the adoption of Article 13 which seeks to put the responsibility on online platforms to police copyright in advance of posting user generated content on their services, either by restricting posts or by obtaining full licenses for copyrighted material.

The proof of the pudding, as The Verge points out, will be in the interpretation and implementation by EU member states:

However, those backing these provisions say the arguments above are the result of scaremongering by big US tech companies, eager to keep control of the web’s biggest platforms. They point to existing laws and amendments to the directive as proof it won’t be abused in this way. These include exemptions for sites like GitHub and Wikipedia from Article 13, and exceptions to the “link tax” that allow for the sharing of mere hyperlinks and “individual words” describing articles without constraint.

I can’t help but think this is a ham-fisted way of dealing with a non-problem. As Doctorow also states, part of the issue here is the assumption that competition in a free market is at the core of creativity. I’d argue that’s untrue, that culture is built by respectfully appropriating and building on the work of others. These proposals, as they currently stand (and as I currently understand them) actively undermine internet culture.

Source: Music Week / EFF / The Verge