Tag: Instagram (page 1 of 4)

Lessin’s five steps and the coming AI apocalypse

I’m not really on any of the big centralised social networks any more, but I’m interested in the effect they have on society. Apparently there have been calls recently complaining about, and resisting, changes that Instagram has made.

In this post, Ben Thompson cites Sam Lessin, a former Facebook exec, who suggests we’re at step four of a five-step process.

  1. The Pre-Internet ‘People Magazine’ Era
  2. Content from ‘your friends’ kills People Magazine
  3. Kardashians/Professional ‘friends’ kill real friends
  4. Algorithmic everyone kills Kardashians
  5. Next is pure-AI content which beats ‘algorithmic everyone’

There’s a bit in this post which I think is a pretty deep insight about human behaviour, identity, and the story we like to tell ourselves. Again, it’s Thompson quoting Lessin:

I saw someone recently complaining that Facebook was recommending to them…a very crass but probably pretty hilarious video. Their indignant response [was that] “the ranking must be broken.” Here is the thing: the ranking probably isn’t broken. He probably would love that video, but the fact that in order to engage with it he would have to go proactively click makes him feel bad. He doesn’t want to see himself as the type of person that clicks on things like that, even if he would enjoy it.

So TikTok and other platforms reducing the need for human interaction to deliver ‘engaging’ content have the capacity to fundamentally change the way we think about the world.

In another, related, post Charles Arthur scaremongers about how AI-created content will overwhelm us:

I suspect in the future there will be a premium on good, human-generated content and response, but that huge and growing amounts of the content that people watch and look at and read on content networks (“social networks” will become outdated) will be generated automatically, and the humans will be more and more happy about it.

In its way, it sounds like the society in Fahrenheit 451 (that’s 233ºC for Europeans) though without the book burning. There’s no need: why read a book when there’s something fascinating you can watch instead?

Quite what effect this has on social warming is unclear. Possibly it accelerates polarisation, but rather like the Facebook Blenderbot, people are just segmented into their own world, and not shown things that will disturb them. Or, perhaps, they’re shown just enough to annoy them and engage them again if their attention seems to be flagging. After all, if you can generate unlimited content, you can do what you want. And as we know, what the companies who do this want is your attention, all the time.

As ever, I don’t think we’re ready for this. Not even close.


Sources: Instagram, TikTok, and the Three Trends | Stratechery by Ben Thompson and The approaching tsunami of addictive AI-created content will overwhelm us | Social Warming by Charles Arthur

Social-first searching

I don’t see this as such a weird thing, especially when it comes to food. For example, my wife follows lots of local places on Instagram and will research new places using that app when we travel. I tend to use Google Maps for that kind of thing. Neither of us would start with a regular web search, because context is important.

Even back prior to 2010, I can remember Drew Buddie doing a TeachMeet presentation on ‘Twitter is my Google’. The point is that humans are social creatures. We want recommendations and to see what we could be potentially missing out on…

Nearly 40% of Gen Z prefers searching on TikTok and Instagram over Google Search and Maps, according to Google’s internal data first reported by TechCrunch.

Google confirmed this statistic to Insider, saying, “we face robust competition from an array of sources, including general and specialized search engines, as well as dedicated apps.”

Source: Nearly Half of Gen Z Prefers TikTok and Instagram Over Google Search | Business Insider

The Un-Grammable Hang Zone

Instagram has never been a place I’ve ever wanted to spend any time or attention. But its impact on physical spaces is undeniable.

This post (newsletter issue?) by Drew Austin cites a couple of other authors who perfectly skewer the Instagram aesthetic as being a grammar that quickly conveys that somebody… did a thing.

Living my best life

The Blackbird Spyplane newsletter recently made a valuable contribution to the pantheon of essays about how the internet has transformed the physical world: a hopeful manifesto in praise of the “Un-Grammable Hang Zone,” the definition of which will be obvious if you’ve spent enough time in the Instagram-optimized settings that have proliferated in cities during the past decade—places that BBSP describes as a “high-efficiency, low-humanity kind of eatery where you point yr phone at a QR code and do contactless payment before eating a room-temp grain bowl under a pink neon sign that says ‘Living My Best Life’ in cursive.”

[…]

Affirming the interchangeability of “millennial” and “Instragrammable” as descriptors, Fischer pinpoints the force that really drives them: Instagrammable “does not mean ‘beautiful’ or even quite ‘photogenic’; it means something more like ‘readable.’ The viewer could scroll past an image and still grasp its meaning, e.g., ‘I saw fireworks,’ ‘I am on vacation,’ or ‘I have friends.’” If Instagram as a medium demands readability, in other words, it puts pressure on the physical environment to simplify itself accordingly, at least in the long run.

Source: #178: I Can See It (But I Can’t Feel It) | Kneeling Bus