Tag: art

Friday fizzles

I head off on holiday tomorrow! Before I go, check out these highlights from this week’s reading and research:

  • “Things that were considered worthless are redeemed” (Ira David Socol) — “Empathy plus Making must be what education right now is about. We are at both a point of learning crisis and a point of moral crisis. We see today what happens — in the US, in the UK, in Brasil — when empathy is lost — and it is a frightening sight. We see today what happens — in graduates from our schools who do not know how to navigate their world — when the learning in our schools is irrelevant in content and/or delivery.”
  • Voice assistants are going to make our work lives better—and noisier (Quartz) — “Active noise cancellation and AI-powered sound settings could help to tackle these issues head on (or ear on). As the AI in noise cancellation headphones becomes better and better, we’ll potentially be able to enhance additional layers of desirable audio, while blocking out sounds that distract. Audio will adapt contextually, and we’ll be empowered to fully manage and control our soundscapes.
  • We Aren’t Here to Learn What We Already Know (LA Review of Books) — “A good question, in short, is an honest question, one that, like good theory, dances on the edge of what is knowable, what it is possible to speculate on, what is available to our immediate grasp of what we are reading, or what it is possible to say. A good question, that is, like good theory, might be quite unlovely to read, particularly in its earliest iterations. And sometimes it fails or has to be abandoned.”
  • The runner who makes elaborate artwork with his feet and a map (The Guardian) — “The tracking process is high-tech, but the whole thing starts with just a pen and paper. “When I was a kid everyone thought I’d be an artist when I grew up – I was always drawing things,” he said. He was a particular fan of the Etch-a-Sketch, which has something in common with his current work: both require creating images in an unbroken line.”
  • What I Do When it Feels Like My Work Isn’t Good Enough (James Clear) — “Release the desire to define yourself as good or bad. Release the attachment to any individual outcome. If you haven’t reached a particular point yet, there is no need to judge yourself because of it. You can’t make time go faster and you can’t change the number of repetitions you have put in before today. The only thing you can control is the next repetition.”
  • Online porn and our kids: It’s time for an uncomfortable conversation (The Irish Times) — “Now when we talk about sex, we need to talk about porn, respect, consent, sexuality, body image and boundaries. We don’t need to terrify them into believing watching porn will ruin their lives, destroy their relationships and warp their libidos, maybe, but we do need to talk about it.”
  • Drones will fly for days with new photovoltaic engine (Tech Xplore) — “[T]his finding builds on work… published in 2011, which found that the key to boosting solar cell efficiency was not by absorbing more photons (light) but emitting them. By adding a highly reflective mirror on the back of a photovoltaic cell, they broke efficiency records at the time and have continued to do so with subsequent research.
  • Twitter won’t ruin the world. But constraining democracy would (The Guardian) — “The problems of Twitter mobs and fake news are real. As are the issues raised by populism and anti-migrant hostility. But neither in technology nor in society will we solve any problem by beginning with the thought: “Oh no, we put power into the hands of people.” Retweeting won’t ruin the world. Constraining democracy may well do.
  • The Encryption Debate Is Over – Dead At The Hands Of Facebook (Forbes) — “Facebook’s model entirely bypasses the encryption debate by globalizing the current practice of compromising devices by building those encryption bypasses directly into the communications clients themselves and deploying what amounts to machine-based wiretaps to billions of users at once.”
  • Living in surplus (Seth Godin) — “When you live in surplus, you can choose to produce because of generosity and wonder, not because you’re drowning.”

Image from Dilbert. Shared to make the (hopefully self-evident) counterpoint that not everything of value has an economic value. There’s more to life than accumulation.

Friday federations

These things piqued my interest this week:

  • You Should Own Your Favorite Books in Hard Copy (Lifehacker) — “Most importantly, when you keep physical books around, the people who live with you can browse and try them out too.”
  • How Creative Commons drives collaboration (Vox) “Although traditional copyright protects creators from others redistributing or repurposing their works entirely, it also restricts access, for both viewers and makers.”
  • Key Facilitation Skills: Distinguishing Weird from Seductive (Grassroots Economic Organizing) — “As a facilitation trainer the past 15 years, I’ve collected plenty of data about which lessons have been the most challenging for students to digest.”
  • Why Being Bored Is Good (The Walrus) — “Boredom, especially the species of it that I am going to label “neoliberal,” depends for its force on the workings of an attention economy in which we are mostly willing participants.”
  • 5: People having fun on the internet (Near Future Field Notes) — “The internet is still a really great place to explore. But you have to get back into Internet Nature instead of spending all your time in Internet Times Square wondering how everything got so loud and dehumanising.”
  • The work of a sleepwalking artist offers a glimpse into the fertile slumbering brain (Aeon) “Lee Hadwin has been scribbling in his sleep since early childhood. By the time he was a teen, he was creating elaborate, accomplished drawings and paintings that he had no memory of making – a process that continues today. Even stranger perhaps is that, when he is awake, he has very little interest in or skill for art.”
  • The Power of One Push-Up (The Atlantic) — “Essentially, these quick metrics serve as surrogates that correlate with all kinds of factors that determine a person’s overall health—which can otherwise be totally impractical, invasive, and expensive to measure directly. If we had to choose a single, simple, universal number to define health, any of these functional metrics might be a better contender than BMI.”
  • How Wechat censors images in private chats (BoingBoing) — “Wechat maintains a massive index of the MD5 hashes of every image that Chinese censors have prohibited. When a user sends another user an image that matches one of these hashes, it’s recognized and blocked at the server before it is transmitted to the recipient, with neither the recipient or the sender being informed that the censorship has taken place.”
  • It’s Never Too Late to Be Successful and Happy (Invincible Career) — “The “race” we are running is a one-person event. The most important comparison is to yourself. Are you doing better than you were last year? Are you a better person than you were yesterday? Are you learning and growing? Are you slowly figuring out what you really want, what makes you happy, and what fulfillment means for you?”
  • ‘Blitzscaling’ Is Choking Innovation—and Wasting Money (WIRED) — “If we learned anything from the dotcom bubble at the turn of the century, it’s that in an environment of abundant capital, money does not necessarily bestow competitive advantage. In fact, spending too much, to soon on unproven business models only heightens the risk that a company’s race for global domination can become a race to oblivion.”

Image: Federation Square by Julien used under a Creative Commons license

Make art, tell a story

As detailed here, our co-op decided last week to lift our sights, expand our vision, and represent ourselves more holistically.

So when I stumbled upon Paul Jarvis’ post on the importance of making art, it really chimed with me:

What makes the content you create awesome is that it’s a story told through your unique lens. It’s you, telling a story. It’s you not giving a fuck about anything but telling that story. It doesn’t matter if it’s a blog post about banking software or a video on how to make nut milk, the content will be better if you let your real personality shine.

He gives some specific tips in the short post, which is definitely worth your time.

From my point of view with Thought Shrapnel, I don’t track open rates, etc. because it means I can focus on what I’m interested in, rather than whatever I can get people to click on.

Source: Paul Jarvis

Hong Kong shutter art

After never having visited Barcelona before November 2017, in the subsequent 12 months following, I went there five times. One of the things that struck me was the art in the city; some municipal, some architectural, and some more vernacular (i.e. graffiti-based).

When I was in Denver a few months ago, Noah Geisel was kind enough to give me a walking tour of some of the (partly commissioned) street art there. It was incredible.

I’ve never been to Hong Kong, and am unlike to go there any time soon, but this Twitter thread of Hong Kong shutter art makes me want to!

Source: Hong Kong Hermit

In praise of ordinary lives

This richly-illustrated post uses as a touchstone the revolution in art that took place in the 17th century with Johannes Vermeer’s The Little Street. The painting (which can be seen above) moves away from epic and religious symbolism, and towards the everyday.

Unfortunately, and particularly with celebrity lifestyles on display everywhere, we seem to be moving back to pre-17th century approaches:

Today – in modern versions of epic, aristocratic, or divine art – adverts and movies continually explain to us the appeal of things like sports cars, tropical island holidays, fame, first-class air travel and expansive limestone kitchens. The attractions are often perfectly real. But the cumulative effect is to instill in us the idea that a good life is built around elements that almost no one can afford. The conclusion we too easily draw is that our lives are close to worthless.

A good life isn’t one where you get everything you want; that would, in fact, that would be form of torture. Just ask King Midas. Instead, it’s made up of lots of little things, as this post outlines:

There is immense skill and true nobility involved in bringing up a child to be reasonably independent and balanced; maintaining a good-enough relationship with a partner over many years despite areas of extreme difficulty; keeping a home in reasonable order; getting an early night; doing a not very exciting or well-paid job responsibly and cheerfully; listening properly to another person and, in general, not succumbing to madness or rage at the paradox and compromises involved in being alive.

As ever, a treasure trove of wisdom and I encourage you to explore further the work of the School of Life.

Source: The Book of Life

What’s the link between employment and creativity?

These days, we tend to think of artists as working on their art full-time. After all, it’s their passion and vocation. That’s not always the case, as this article points out:

The avant-garde composer Philip Glass shocked at least one music lover when he materialized, smock-clad and brandishing plumber’s tools, in a home with a malfunctioning appliance. “While working,” Glass recounted to The Guardian in 2001, “I suddenly heard a noise and looked up to find Robert Hughes, the art critic of Time magazine, staring at me in disbelief. ‘But you’re Philip Glass! What are you doing here?’ It was obvious that I was installing his dishwasher and I told him that I would soon be finished. ‘But you are an artist,’ he protested. I explained that I was an artist but that I was sometimes a plumber as well and that he should go away and let me finish.”

Art and employment aren’t necessarily separate spheres, but can influence one another:

But then there is another category of artists-with-jobs: people whose two professions play off each other in unexpected ways. For these creators, a trade isn’t just about paying the bills; it’s something that grounds them in reality. In 2017, a day job might perform the same replenishing ministries as sleep or a long run: relieving creative angst, restoring the artist to her body and to the texture of immediate experience. But this break is also fieldwork. For those who want to mine daily life for their art, a second job becomes an umbilical cord fastened to something vast and breathing. The alternate gig that lifts you out of your process also supplies fodder for when that process resumes. Lost time is regained as range and perspective, the artist acquiring yet one more mode of inhabiting the world.

It’s all very well being in your garret creating art, but what about your self-development and responsibility to society?

Some cultivate their art because it sustains their work, or because it fulfills a sense of civic responsibility. Writing children’s literature “has helped me grow in confidence as a person, which in turn has helped me develop … as an officer, too,” said Gavin Puckett, a U.K.-based policeman (it remains his primary income source) and author of the prizewinning 2013 “Fables From the Stables” series. Puckett, who joined the service in 1998, sketched the rhyming adventure “Murray the Horse” after passing a horse in a field while listening to a radio announcer report on “sports and activities you can only complete backwards” — he imagined a story about a horse that runs in reverse. He admits that telling stories still makes him feel as though he’s “stepping out of character.” “My role as a police officer came first,” he told me.

Perhaps it’s because I’m recently employed, or don’t really see myself as an ‘artist’, but I like the final section of this article

The trope of the secluded creator has echoes of imprisonment and stasis. (After all, who wants to spend all their time in one room, even if it belongs to them?) Sometimes the artist needs to turn off, to get out in the fray, to stop worrying over when her imagination’s pot will boil — because, of course, it won’t if she’s watching. And regardless of whether the reboot results in brilliance down the line, that lunchtime stroll isn’t going to take itself, those stray thoughts won’t think themselves, the characters on the corner certainly won’t gawk at themselves. Artists: They’re just like us, unless they can afford not to be, in which case they still are, but doing a better job of concealing it.

Source: The New York Times Style Magazine

How we get influence backwards

Austin Kleon reflects on the following quotation from Jean-Michel Basquiat:

You’ve got to realize that influence is not influence. It’s simply someone’s idea going through my new mind.

In other words, the person who’s doing the influencing doesn’t know they’re doing the influencing. We say that an artist or writer was influenced by someone, but that’s the wrong way around:

When we say, “Basquiat was influenced by Van Gogh,” that isn’t really correct, because it implies that Van Gogh is doing something to Basquiat, when actually the opposite is true.

Kleon continues to quote K.K. Ruthven:

Our understanding of literary ‘influence’ is obstructed by the grammar of our language, which puts things back to front in obliging us to speak in passive terms of the one who is the active partner in the relationship: to say that Keats influenced Wilde is not only to credit Keats with an activity of which he was innocent, but also to misrepresent Wilde by suggesting he merely submitted to something he obviously went out of his way to acquire. In matters of influence, it is the receptor who takes the initiative, not the emitter. When we say that Keats had a strong influence on Wilde, what we really mean is that Wilde was an assiduous reader of Keats, an inquisitive reader in the service of an acquisitive writer.

I like things that make me think differently about things I take for granted, especially ones that have been encoded into language.

Source: Austin Kleon

Film posters of the Russian avant-garde

I love the style of these posters, published in a new book to mark the centenary of the Russian Revolution.

So creative!

Source: i-D

Fake amusement park

This made me smile:

The show is called “Fake Theme Parks” and it debuts Friday, January 12 at Gallery 1988 in Los Angeles. Fifty artists created a huge variety of work based on parks from TV, movies, video games, and more.

[…]

Itchy & Scratchy Land, Krustyland, and Duff Gardens are from The Simpsons; Anatomy Park is from Rick and Morty; Brisbyland is from Venture Bros.; Arctic World is from Batman Returns; Funland is from Scooby-Doo; Monkey Island is from a game of the same name (by Lucasarts); Walley World is from Vacation; and Pacific Playland (not pictured) is from Zombieland.

I have unlimited love for the Monkey Island series of games. So much so that I’m afraid that if I replayed them as an adult I’d destroy part of my remembered youth.

Fun fact: Ron Gilbert, the creator of the first two Monkey Island games, wrote a blog post a few years ago about how he would approach making a new version. He’s not going to, though, sadly.

Source: io9