It is genuinely amazing what you can create these days with an AI model by simply inputting a few words of natural language. Craiyon (formerly DALL·E mini) allows anyone to do this right now, but there’s also previews of much more powerful models that will be available soon.
As Albert Wenger asks, what does this mean for creative people? I don’t think technology ever completely replaces but rather augments. So I think we’ll see even more artists work with AI models to create amazing things.
During my run today, I was thinking about how awesome it would be to generate running music perfectly suited to the route I was going to run. That’s entirely possible if we continue along this trajectory!
Recently we have had several breakthroughs, first starting with large language models that can tell stories, and now with DALL-E2 and midjourney, two models that can generate amazing imagery based on textual input. For example, here is an image “imagined” by midjourney based on the prompt “Sailing across the alps”
It is mind-bending to sit with this image for a while. A machine created it and did so within a space of minutes, yet it is full of imagination and detail and could easily be on the cover of a book or the walls of a museum.
So what does it mean that we now clearly and demonstrably have creative machines?
I think Albert Wenger has discovered, however obliquely, Pragmatism. Once you realise that the correspondence theory of truth is nonsense, and that it makes more sense to think about truth as being “good in the way of belief” the world starts making a lot more sense…
Yoga works. Meditation works. Conscious breathing works. By “works” I mean that these practices have positive effects for people who observe them. They can help build and retain strength and flexibility of both body and mind. The fact that they work shouldn’t be entirely surprising, given that these practices have been developed over thousands of years through trial and error by millions of people. The persistence of these practices by itself provides devidence of their effectiveness.
But does that mean the theories frequently cited to explain these practices are also valid? Do chakras and energy flows exist? I don’t want to rule this out – there have been various attempts to map chakras to the nervous and endocrine systems – but I think it is much more likely that these are pre-scientific explanations not unlike the phlogiston theory of combustion. I will refer to these as “internal theories,” meaning the theories that are generally associated with the practices historically.
There are major issues of transparency and authenticity here because the beliefs and opinions don’t actually belong to the digital models, they belong to the models’ creators. And if the creators can’t actually identify with the experiences and groups that these models claim to belong to (i.e., person of color, LGBTQ, etc.), then do they have the right to actually speak on those issues? Or is this a new form of robot cultural appropriation, one in which digital creators are dressing up in experiences that aren’t theirs?
Sinead Bovell (Vogue)
This is an incredible article that looks at machine learning and AI through the lens of an industry I hadn’t thought of as being on the brink of being massively disrupted by technology.
It is strange that “cancel culture” has become a project of the left, which spent the 20th century fighting against capricious firings of “troublesome” employees. A lack of due process does not become a moral good just because you sometimes agree with its targets. We all, I hope, want to see sexism, racism, and other forms of discrimination decrease. But we should be aware of the economic incentives here, particularly given the speed of social media, which can send a video viral, and see onlookers demand a response, before the basic facts have been established. Afraid of the reputational damage that can be incurred in minutes, companies are behaving in ways that range from thoughtless and uncaring to sadistic.
[…]
If you care about progressive causes, then woke capitalism is not your friend. It is actively impeding the cause, siphoning off energy, and deluding us into thinking that change is happening faster and deeper than it really is. When people talk about the “excesses of the left”—a phenomenon that blights the electoral prospects of progressive parties by alienating swing voters—in many cases they’re talking about the jumpy overreactions of corporations that aren’t left-wing at all.
Helen Lewis (The Atlantic)
Cancel culture is problematic, and mainly because of the unequal power structures involved. This is an important read. See also this article by Albert Wenger which has some suggestions towards the end in this regard.
The goal of productivity is to get the things you have to get done finished so you can spend more time on the things you want to do. Don’t fall into the busy trap, where you judge your self-worth by how productive you are or how much you’ve contributed to your company or manager. We’re all just trying to keep our heads above water. I hope these tips will help you do the same.
Alan Henry (WIRED)
As I wrote yesterday on my personal blog, I have a bit of an issue with perfectionism. So this reminder, along with the other great advice in the article, was a timely reminder.
If you treat somebody with disdain, of course, you give that person a psychological incentive to diminish your opinion and to want you to be less powerful. Inversely, if you demonstrate understanding and appreciation of someone’s contribution, you create a psychological incentive in the individual to give greater weight to your opinion. And that person will want to strengthen the weight of your opinion in the eyes of others. Appreciation and gratitude breed appreciation and gratitude.
Bruce Tulgan (Fast Company)
Creating a productive, psychologically safe, and emotionally intelligent environment means thanking people for the work they do. That means for their day-to-day activities, not just when they put in a herculean effort. A paycheck is not thanks enough for the work we do and the value we provide.
More interesting still is that nostalgia can bring to mind time-periods we didn’t directly experience. In the film Midnight in Paris (2011), Gil is overwhelmed by nostalgic thoughts about 1920s Paris – which he, a modern-day screenwriter, hasn’t experienced – yet his feelings are nothing short of nostalgic. Indeed, feeling nostalgic for a time one didn’t actually live through appears to be a common phenomenon if all the chatrooms, Facebook pages and websites dedicated to it are anything to go by. In fact, a new word has been coined to capture this precise variant of nostalgia – anemoia, defined by the Urban Dictionary and the Dictionary of Obscure Sorrows as ‘nostalgia for a time you’ve never known’.
How can we make sense of the fact that people feel nostalgia not only for past experiences but also for generic time periods? My suggestion, inspired by recent evidence from cognitive psychology and neuroscience, is that the variety of nostalgia’s objects is explained by the fact that its cognitive component is not an autobiographical memory, but a mental simulation – an imagination, if you will – of which episodic recollections are a sub-class.
Nigel Warburton (Aeon)
In the UK at least, shows like Downton Abbey and Call The Midwife are popular. My view of this is that, as this article would seem to support, it’s a kind of nostalgia for a time that was imagined to be better.
There’s a sinister side to this, as well. This kind of nostalgia seems to be particularly prevalent among more conservative-leaning (white) people harking back to a time of greater divisions in society along race and class lines. I think it’s rather disturbing.
Quiet Parks International (QPI) is a nonprofit working to establish certification for quiet parks to raise awareness of and preserve quiet places. The fledgling organization—whose members include audio engineers, scientists, environmentalists, and musicians—has identified at least 262 sites worldwide, including 30 in the US, that it believes are quiet or could become so with management changes….
QPI has no regulatory authority, but like the International Dark Sky Association’s Dark Sky Parks initiative, the nonprofit believes its certification—granted only after a detailed, three-day sound analysis—can encourage public support of preservation efforts and provide guidelines for protection. “The places that are quiet today … are basically leftovers—places that are out of the way,” Quiet Parks cofounder Gordon Hempton says.
Jenny Morber (WIRED)
I live in a part of the world close to both a designated Dark Sky Park and mountains into which I can escape. Light and noise pollution threaten both of them, so I’m glad to hear of these efforts.