<rss xmlns:source="http://source.scripting.com/" version="2.0">
  <channel>
    <title>Thought Shrapnel</title>
    <link>https://thoughtshrapnel.com/</link>
    <description></description>
    
    <language>en</language>
    
    <lastBuildDate>Sat, 11 Apr 2026 16:56:20 +0100</lastBuildDate>
    <item>
      <title>Scamming tourists in Nepal</title>
      <link>https://thoughtshrapnel.com/2026/04/11/scamming-tourists-in-nepal.html</link>
      <pubDate>Sat, 11 Apr 2026 16:56:20 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/04/11/scamming-tourists-in-nepal.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/alexander-aashiesh-xrcveooaeek-unsplash.jpg&#34; width=&#34;600&#34; height=&#34;400&#34; alt=&#34;Auto-generated description: A red helicopter is parked on a snowy mountain slope with a backdrop of majestic, snow-covered peaks.&#34;&gt;
&lt;p&gt;This is wild 🤯&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The mechanics of the fake rescue racket are straightforward: stage a medical emergency, call in a helicopter, check a tourist into a hospital, and file an insurance claim that bears little resemblance to what actually happened. But the sophistication lies in how each link in the chain is compensated, and how difficult it is for a foreign insurer — operating from Australia and the United Kingdom— to verify events that occurred at 3,000 metres in a remote Himalayan valley.&lt;/p&gt;
&lt;p&gt;The CIB investigation identifies two primary methods for manufacturing an “emergency.”&lt;/p&gt;
&lt;p&gt;The first involves tourists who simply don’t want to walk back. After completing a demanding trek — an Everest Base Camp trek, for instance, can take up to two weeks on foot — guides offer an alternative: pretend to be sick, and a helicopter will come. The guide handles the rest.&lt;/p&gt;
&lt;p&gt;The second method is more troubling. At altitudes above 3,000 metres, mild symptoms of altitude sickness are common. Blood oxygen saturation can drop, hands and feet tingle, headaches develop. In most cases, rest, hydration or a gradual descent is all that is needed. But guides and hotel staff, according to the CIB investigation, have been trained to terrify trekkers at precisely this moment. They tell them they are at risk of dying, that only immediate evacuation will save them. In some cases, investigators found that Diamox (Acetazolamide) tablets, used to prevent altitude sickness, were administered alongside excessive water intake to induce the very symptoms that would justify a rescue call.&lt;/p&gt;
&lt;p&gt;In at least one case cited in the investigation, baking powder was mixed into food to make tourists physically unwell.&lt;/p&gt;
&lt;p&gt;Once a “rescue” is called, the financial choreography begins. A single helicopter carries multiple passengers. But separate, full-price invoices are submitted to each passenger’s insurance company, as if each had their own dedicated flight. A $4,000 charter becomes a $12,000 claim. Fake flight manifests and load sheets are fabricated. At the hospital, medical officers prepare discharge summaries using the digital signatures of senior doctors who were never involved in the case. In some cases, these are done without those doctors’ knowledge. Fake admission records are created for tourists who were, in some documented instances, drinking beer in the hospital cafeteria at the time they were supposedly receiving treatment.&lt;/p&gt;
&lt;p&gt;[&amp;hellip;]&lt;/p&gt;
&lt;p&gt;Between 2022 and 2025, investigators identified 4,782 foreign patients treated across the implicated hospitals. Of these, 171 cases were confirmed as fake rescues. Over that period, Era International Hospital received deposits of more than $15.87 million linked to these activities. Shreedhi International Hospital received over $1.22 million.&lt;/p&gt;
&lt;p&gt;Among rescue operators, Mountain Rescue Service conducted 171 fraudulent rescues out of 1,248 total charter flights, claiming approximately $10.31 million from insurers. Nepal Charter Service carried out 75 fake rescues from 471 flights, claiming $8.2 million. Everest Experience and Assistance was linked to 71 suspicious rescues from 601 flights, with insurance claims totalling $11.04 million.&lt;/p&gt;
&lt;p&gt;In one instance that illustrates the brazenness of the scheme, police documented a case in which four tourists were rescued on a single helicopter flight, on the same date, using the same helicopter and manifest. Insurance claims were nonetheless submitted as multiple separate rescues, with the total rescue bill reaching $31,100, plus a separate hospital bill of $11,890.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://kathmandupost.com/money/2026/03/27/inside-nepal-s-fake-rescue-racket&#34;&gt;The Kathmandu Post&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Image: &lt;a href=&#34;https://unsplash.com/photos/a-helicopter-flying-over-a-snow-covered-mountain-XRCVeOoaeek&#34;&gt;Alexander Aashiesh&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/alexander-aashiesh-xrcveooaeek-unsplash.jpg&#34; width=&#34;600&#34; height=&#34;400&#34; alt=&#34;Auto-generated description: A red helicopter is parked on a snowy mountain slope with a backdrop of majestic, snow-covered peaks.&#34;&gt;

This is wild 🤯

&gt; The mechanics of the fake rescue racket are straightforward: stage a medical emergency, call in a helicopter, check a tourist into a hospital, and file an insurance claim that bears little resemblance to what actually happened. But the sophistication lies in how each link in the chain is compensated, and how difficult it is for a foreign insurer — operating from Australia and the United Kingdom— to verify events that occurred at 3,000 metres in a remote Himalayan valley.
&gt;
&gt; The CIB investigation identifies two primary methods for manufacturing an “emergency.”
&gt; 
&gt; The first involves tourists who simply don’t want to walk back. After completing a demanding trek — an Everest Base Camp trek, for instance, can take up to two weeks on foot — guides offer an alternative: pretend to be sick, and a helicopter will come. The guide handles the rest.
&gt;
&gt; The second method is more troubling. At altitudes above 3,000 metres, mild symptoms of altitude sickness are common. Blood oxygen saturation can drop, hands and feet tingle, headaches develop. In most cases, rest, hydration or a gradual descent is all that is needed. But guides and hotel staff, according to the CIB investigation, have been trained to terrify trekkers at precisely this moment. They tell them they are at risk of dying, that only immediate evacuation will save them. In some cases, investigators found that Diamox (Acetazolamide) tablets, used to prevent altitude sickness, were administered alongside excessive water intake to induce the very symptoms that would justify a rescue call.
&gt;
&gt; In at least one case cited in the investigation, baking powder was mixed into food to make tourists physically unwell.
&gt;
&gt; Once a “rescue” is called, the financial choreography begins. A single helicopter carries multiple passengers. But separate, full-price invoices are submitted to each passenger’s insurance company, as if each had their own dedicated flight. A $4,000 charter becomes a $12,000 claim. Fake flight manifests and load sheets are fabricated. At the hospital, medical officers prepare discharge summaries using the digital signatures of senior doctors who were never involved in the case. In some cases, these are done without those doctors’ knowledge. Fake admission records are created for tourists who were, in some documented instances, drinking beer in the hospital cafeteria at the time they were supposedly receiving treatment.
&gt;
&gt; [...]
&gt;
&gt; Between 2022 and 2025, investigators identified 4,782 foreign patients treated across the implicated hospitals. Of these, 171 cases were confirmed as fake rescues. Over that period, Era International Hospital received deposits of more than $15.87 million linked to these activities. Shreedhi International Hospital received over $1.22 million.
&gt; 
&gt; Among rescue operators, Mountain Rescue Service conducted 171 fraudulent rescues out of 1,248 total charter flights, claiming approximately $10.31 million from insurers. Nepal Charter Service carried out 75 fake rescues from 471 flights, claiming $8.2 million. Everest Experience and Assistance was linked to 71 suspicious rescues from 601 flights, with insurance claims totalling $11.04 million.
&gt;
&gt; In one instance that illustrates the brazenness of the scheme, police documented a case in which four tourists were rescued on a single helicopter flight, on the same date, using the same helicopter and manifest. Insurance claims were nonetheless submitted as multiple separate rescues, with the total rescue bill reaching $31,100, plus a separate hospital bill of $11,890.

Source: [The Kathmandu Post](https://kathmandupost.com/money/2026/03/27/inside-nepal-s-fake-rescue-racket)

Image: [Alexander Aashiesh](https://unsplash.com/photos/a-helicopter-flying-over-a-snow-covered-mountain-XRCVeOoaeek)
</source:markdown>
    </item>
    
    <item>
      <title>The system can generate options. It cannot supply ownership.</title>
      <link>https://thoughtshrapnel.com/2026/04/11/the-system-can-generate-options.html</link>
      <pubDate>Sat, 11 Apr 2026 16:49:30 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/04/11/the-system-can-generate-options.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/good-taste-the-only-real-moat-left.png&#34; width=&#34;600&#34; height=&#34;252&#34; alt=&#34;Auto-generated description: A table contrasts the capabilities of AI and LLMs with tasks that humans still need to perform, across four layers: generation, pattern matching, optimization, and scaling.&#34;&gt;
&lt;p&gt;The above table is included in a fantastic article by Raj Nandan Sharma entitled Good Taste the Only Real Moat Left. He offers a nuanced view of working with LLMs, arguing that, yes, of &lt;em&gt;course&lt;/em&gt; there is the lazy, &amp;lsquo;slop&amp;rsquo; version of AI that involves what he calls &amp;ldquo;passive selection&amp;rdquo;. But what&amp;rsquo;s much more interesting valuable and value is &lt;em&gt;active shaping&lt;/em&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There is a strong version of the &amp;ldquo;taste matters&amp;rdquo; argument that quietly pushes humans into a narrow role. In that version, AI generates many outputs and the human stands at the end of the pipeline selecting the best one.&lt;/p&gt;
&lt;p&gt;That is a useful role, but it is also too small.&lt;/p&gt;
&lt;p&gt;Historically, important work did not emerge from detached selection alone. It emerged from co-creation under constraint. Builders argued with reality, with collaborators, with budgets, with materials, with timelines, and with the consequences of getting things wrong.&lt;/p&gt;
&lt;p&gt;That friction matters. It is where depth comes from.&lt;/p&gt;
&lt;p&gt;Once you see that, the risk becomes clearer: if human value is reduced to curation, the human becomes a discriminator in a mostly machine-driven loop.&lt;/p&gt;
&lt;p&gt;The analogy to machine learning is imperfect but useful. In generative adversarial setups, the discriminator exists to help the generator improve. Once the generator is good enough, the discriminator is not the part that ships.&lt;/p&gt;
&lt;p&gt;The warning is not that taste has no value. It does. The warning is that taste without authorship, stake, or construction can become a narrow and eventually fragile role.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://rajnandan.com/posts/taste-in-the-age-of-ai-and-llms/&#34;&gt;Raj Nandan Sharma&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/good-taste-the-only-real-moat-left.png&#34; width=&#34;600&#34; height=&#34;252&#34; alt=&#34;Auto-generated description: A table contrasts the capabilities of AI and LLMs with tasks that humans still need to perform, across four layers: generation, pattern matching, optimization, and scaling.&#34;&gt;

The above table is included in a fantastic article by Raj Nandan Sharma entitled Good Taste the Only Real Moat Left. He offers a nuanced view of working with LLMs, arguing that, yes, of _course_ there is the lazy, &#39;slop&#39; version of AI that involves what he calls &#34;passive selection&#34;. But what&#39;s much more interesting valuable and value is _active shaping_.  

&gt; There is a strong version of the &#34;taste matters&#34; argument that quietly pushes humans into a narrow role. In that version, AI generates many outputs and the human stands at the end of the pipeline selecting the best one.
&gt; 
&gt; That is a useful role, but it is also too small.
&gt; 
&gt; Historically, important work did not emerge from detached selection alone. It emerged from co-creation under constraint. Builders argued with reality, with collaborators, with budgets, with materials, with timelines, and with the consequences of getting things wrong.
&gt; 
&gt; That friction matters. It is where depth comes from.
&gt;
&gt; Once you see that, the risk becomes clearer: if human value is reduced to curation, the human becomes a discriminator in a mostly machine-driven loop.
&gt;
&gt; The analogy to machine learning is imperfect but useful. In generative adversarial setups, the discriminator exists to help the generator improve. Once the generator is good enough, the discriminator is not the part that ships.
&gt;
&gt; The warning is not that taste has no value. It does. The warning is that taste without authorship, stake, or construction can become a narrow and eventually fragile role.

Source: [Raj Nandan Sharma](https://rajnandan.com/posts/taste-in-the-age-of-ai-and-llms/)
</source:markdown>
    </item>
    
    <item>
      <title>&#39;Google Docs&#39; for Markdown?</title>
      <link>https://thoughtshrapnel.com/2026/04/11/google-docs-for-markdown.html</link>
      <pubDate>Sat, 11 Apr 2026 16:18:15 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/04/11/google-docs-for-markdown.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/mist.png&#34; width=&#34;600&#34; height=&#34;442&#34; alt=&#34;Auto-generated description: A dark-themed user interface displays a collaborative Markdown editor with sections for Markdown features, suggestions, and comments, alongside a task list and chat menu.&#34;&gt;
&lt;p&gt;A &lt;a href=&#34;https://interconnected.org/home/2026/02/12/mist&#34;&gt;couple of months ago&lt;/a&gt;, Matt Webb shared a tool called &lt;a href=&#34;https://mist.inanimate.tech/&#34;&gt;mist&lt;/a&gt; which I&amp;rsquo;d describe as &lt;a href=&#34;https://etherpad.org/&#34;&gt;Etherpad&lt;/a&gt; with &lt;a href=&#34;https://en.wikipedia.org/wiki/Markdown&#34;&gt;Markdown&lt;/a&gt; and track changes. I don&amp;rsquo;t think I even shared it here, because, although it was cool, it wasn&amp;rsquo;t Open Source, and therefore I didn&amp;rsquo;t think it would last very long.&lt;/p&gt;
&lt;p&gt;Happily, Matt&amp;rsquo;s not only &lt;a href=&#34;https://github.com/inanimate-tech/mist&#34;&gt;open-sourced&lt;/a&gt; it, but made it really easy to deploy via Cloudflare. Happy days!&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What I love about Markdown is that it’s document-first. The formatting travels with the doc. I can’t tell you how many note-taking apps I’ve jumped between with my exact same folder of Markdown notes.&lt;/p&gt;
&lt;p&gt;The same should be true for collaboration features like suggested edits. If somebody makes an edit to your doc, you should be able to download it and upload to a wholly different app before you accept the edit; you shouldn’t be tied to a single service just because you want comments.&lt;/p&gt;
&lt;p&gt;(And of course the doc should still be human-readable/writeable, and it’s cheating to just stuff a massive data-structure in a document header.)&lt;/p&gt;
&lt;p&gt;So mist mixes Markdown and CriticMarkup – and I would love it if others picked up the same format. If apps are cheap and abundant in the era of vibing, then let’s focus on interop!&lt;/p&gt;
&lt;p&gt;With mist itself:&lt;/p&gt;
&lt;p&gt;Several people have asked for the ability to self-host it. The README says how (it’s all on Cloudflare naturally). You can add new features to your own fork, though please do share upstream if you think others could benefit.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is the first time I&amp;rsquo;ve come across &lt;a href=&#34;https://fletcher.github.io/MultiMarkdown-6/syntax/critic.html&#34;&gt;CriticMarkup&lt;/a&gt; which is a layer on top of Markdown for &amp;lsquo;track changes&amp;rsquo;. The way that it&amp;rsquo;s done in mist is &lt;a href=&#34;https://github.com/inanimate-tech/mist/blob/main/docs/markdown-and-criticmarkup.md&#34;&gt;explained here&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://interconnected.org/home/2026/04/10/open-mist&#34;&gt;interconnected&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/mist.png&#34; width=&#34;600&#34; height=&#34;442&#34; alt=&#34;Auto-generated description: A dark-themed user interface displays a collaborative Markdown editor with sections for Markdown features, suggestions, and comments, alongside a task list and chat menu.&#34;&gt;

A [couple of months ago](https://interconnected.org/home/2026/02/12/mist), Matt Webb shared a tool called [mist](https://mist.inanimate.tech/) which I&#39;d describe as [Etherpad](https://etherpad.org/) with [Markdown](https://en.wikipedia.org/wiki/Markdown) and track changes. I don&#39;t think I even shared it here, because, although it was cool, it wasn&#39;t Open Source, and therefore I didn&#39;t think it would last very long. 

Happily, Matt&#39;s not only [open-sourced](https://github.com/inanimate-tech/mist) it, but made it really easy to deploy via Cloudflare. Happy days! 

&gt; What I love about Markdown is that it’s document-first. The formatting travels with the doc. I can’t tell you how many note-taking apps I’ve jumped between with my exact same folder of Markdown notes.
&gt; 
&gt; The same should be true for collaboration features like suggested edits. If somebody makes an edit to your doc, you should be able to download it and upload to a wholly different app before you accept the edit; you shouldn’t be tied to a single service just because you want comments.
&gt; 
&gt; (And of course the doc should still be human-readable/writeable, and it’s cheating to just stuff a massive data-structure in a document header.)
&gt; 
&gt; So mist mixes Markdown and CriticMarkup – and I would love it if others picked up the same format. If apps are cheap and abundant in the era of vibing, then let’s focus on interop!
&gt;
&gt; With mist itself:
&gt;
&gt; Several people have asked for the ability to self-host it. The README says how (it’s all on Cloudflare naturally). You can add new features to your own fork, though please do share upstream if you think others could benefit.

This is the first time I&#39;ve come across [CriticMarkup](https://fletcher.github.io/MultiMarkdown-6/syntax/critic.html) which is a layer on top of Markdown for &#39;track changes&#39;. The way that it&#39;s done in mist is [explained here](https://github.com/inanimate-tech/mist/blob/main/docs/markdown-and-criticmarkup.md).

Source: [interconnected](https://interconnected.org/home/2026/04/10/open-mist)
</source:markdown>
    </item>
    
    <item>
      <title>Ideas are not products, as much as corporations would like them to be</title>
      <link>https://thoughtshrapnel.com/2026/04/11/ideas-are-not-products-as.html</link>
      <pubDate>Sat, 11 Apr 2026 10:00:26 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/04/11/ideas-are-not-products-as.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/jacqueline-brandwayn-6sg6ehlzd50-unsplash.jpg&#34; width=&#34;600&#34; height=&#34;800&#34; alt=&#34;Auto-generated description: A vintage-style light bulb hangs against a wall with concentric black lines creating an optical illusion.&#34;&gt;
&lt;p&gt;It&amp;rsquo;s one thing believing that Intellectual Property (&amp;ldquo;IP&amp;rdquo;) is absolute bollocks, and it&amp;rsquo;s another thing living your life under capitalism. It&amp;rsquo;s the reason that my &lt;a href=&#34;https://dougbelshaw.com/thesis&#34;&gt;doctoral thesis&lt;/a&gt; is &lt;a href=&#34;https://creativecommons.org/publicdomain/zero/1.0/&#34;&gt;CC0 licensed&lt;/a&gt; (i.e. &amp;ldquo;donated to the public domain&amp;rdquo;) and all of the &lt;a href=&#34;https://dynamicskillset.com/tools/&#34;&gt;tools I&amp;rsquo;ve been building recently&lt;/a&gt; are &lt;a href=&#34;https://www.gnu.org/licenses/agpl-3.0.html&#34;&gt;AGPL-licensed&lt;/a&gt; (&amp;ldquo;specifically designed to ensure cooperation with the community&amp;rdquo;).&lt;/p&gt;
&lt;p&gt;In this essay, Jenny Odell, author of the excellent &lt;em&gt;&lt;a href=&#34;https://literal.club/book/how-to-do-nothing-w8881&#34;&gt;How to Do Nothing&lt;/a&gt;&lt;/em&gt; tells the story of a Japanese farmer who rediscovered the old ways, and paying more attention to the seasons. The main thrust of what she has to say, though, is about where ideas come from.&lt;/p&gt;
&lt;p&gt;Essentially, everything is emergent, and all your brain is doing is making links between things. Which is why I don&amp;rsquo;t have any problem in using LLMs as part of my workflow.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Why is it that when we sit down and try to force an idea, nothing comes—or, if we succeed in forcing it, it feels stale and contrived? Why do the best ideas appear uninvited and at the strangest times, darting out at us like an impish squirrel from a shrub?&lt;/p&gt;
&lt;p&gt;The key, in my opinion, has to do with what you think it is that’s doing the producing, and where. It’s easy for me to say that “I” produce ideas. But when I’ve finished something, it’s often hard for me to say how it happened—where it started, what route it took, and why it ended where it did.&lt;/p&gt;
&lt;p&gt;[&amp;hellip;]&lt;/p&gt;
&lt;p&gt;Ideas are not products, as much as corporations would like them to be. Ideas are intersections between ourselves and something else, whether that’s a book, a conversation with a friend, or the subtle suggestion of a tree. Ideas can literally arise out of clouds (if we are looking at them). That is to say: ideas, like consciousness itself, are emergent properties, and thinking might be more participation than it is production. If we can accept this view of the mind with humility and awe, we might be amazed at what will grow there.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://thecreativeindependent.com/essays/jenny-odell-how-to-grow-an-idea/&#34;&gt;The Creative Independent&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Image: &lt;a href=&#34;https://unsplash.com/photos/clear-glass-pendant-lamp-turned-off-6sG6EHlzd50&#34;&gt;JACQUELINE BRANDWAYN&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Related Are.na collection: &lt;a href=&#34;https://www.are.na/the-creative-independent-1522276020/how-to-grow-an-idea&#34;&gt;How to grow an idea&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/jacqueline-brandwayn-6sg6ehlzd50-unsplash.jpg&#34; width=&#34;600&#34; height=&#34;800&#34; alt=&#34;Auto-generated description: A vintage-style light bulb hangs against a wall with concentric black lines creating an optical illusion.&#34;&gt;

It&#39;s one thing believing that Intellectual Property (&#34;IP&#34;) is absolute bollocks, and it&#39;s another thing living your life under capitalism. It&#39;s the reason that my [doctoral thesis](https://dougbelshaw.com/thesis) is [CC0 licensed](https://creativecommons.org/publicdomain/zero/1.0/) (i.e. &#34;donated to the public domain&#34;) and all of the [tools I&#39;ve been building recently](https://dynamicskillset.com/tools/) are [AGPL-licensed](https://www.gnu.org/licenses/agpl-3.0.html) (&#34;specifically designed to ensure cooperation with the community&#34;).

In this essay, Jenny Odell, author of the excellent _[How to Do Nothing](https://literal.club/book/how-to-do-nothing-w8881)_ tells the story of a Japanese farmer who rediscovered the old ways, and paying more attention to the seasons. The main thrust of what she has to say, though, is about where ideas come from. 

Essentially, everything is emergent, and all your brain is doing is making links between things. Which is why I don&#39;t have any problem in using LLMs as part of my workflow. 

&gt; Why is it that when we sit down and try to force an idea, nothing comes—or, if we succeed in forcing it, it feels stale and contrived? Why do the best ideas appear uninvited and at the strangest times, darting out at us like an impish squirrel from a shrub?
&gt;
&gt; The key, in my opinion, has to do with what you think it is that’s doing the producing, and where. It’s easy for me to say that “I” produce ideas. But when I’ve finished something, it’s often hard for me to say how it happened—where it started, what route it took, and why it ended where it did.
&gt;
&gt; [...]
&gt;
&gt; Ideas are not products, as much as corporations would like them to be. Ideas are intersections between ourselves and something else, whether that’s a book, a conversation with a friend, or the subtle suggestion of a tree. Ideas can literally arise out of clouds (if we are looking at them). That is to say: ideas, like consciousness itself, are emergent properties, and thinking might be more participation than it is production. If we can accept this view of the mind with humility and awe, we might be amazed at what will grow there.

Source: [The Creative Independent](https://thecreativeindependent.com/essays/jenny-odell-how-to-grow-an-idea/)

Image: [JACQUELINE BRANDWAYN](https://unsplash.com/photos/clear-glass-pendant-lamp-turned-off-6sG6EHlzd50)

Related Are.na collection: [How to grow an idea](https://www.are.na/the-creative-independent-1522276020/how-to-grow-an-idea)
</source:markdown>
    </item>
    
    <item>
      <title>Games from Hacker News &#34;Show HN&#34; threads</title>
      <link>https://thoughtshrapnel.com/2026/04/11/games-from-hacker-news-show.html</link>
      <pubDate>Sat, 11 Apr 2026 09:43:22 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/04/11/games-from-hacker-news-show.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/the-hn-arcade.png&#34; width=&#34;600&#34; height=&#34;229&#34; alt=&#34;Auto-generated description: A dark-themed poster features The HN Arcade with options to Browse Games or Submit a Game in orange.&#34;&gt;
&lt;p&gt;I browse &lt;a href=&#34;https://news.ycombinator.com&#34;&gt;Hacker News&lt;/a&gt; most days, and earlier today came across a wonderfully addictive game called &lt;a href=&#34;https://playstarfling.com/&#34;&gt;STARFLING&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;When I shared it on our gaming chat, &lt;a href=&#34;https://adamprocter.co.uk&#34;&gt;Adam Procter&lt;/a&gt; noticed that there&amp;rsquo;s a whole arcade that someone curates from &amp;ldquo;Show HN&amp;rdquo; threads! Delightful.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The HN Arcade is a community-driven directory of games discovered from Hacker News Show HN posts.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://hnarcade.com&#34;&gt;The HN Arcade&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/the-hn-arcade.png&#34; width=&#34;600&#34; height=&#34;229&#34; alt=&#34;Auto-generated description: A dark-themed poster features The HN Arcade with options to Browse Games or Submit a Game in orange.&#34;&gt;

I browse [Hacker News](https://news.ycombinator.com) most days, and earlier today came across a wonderfully addictive game called [STARFLING](https://playstarfling.com/). 

When I shared it on our gaming chat, [Adam Procter](https://adamprocter.co.uk) noticed that there&#39;s a whole arcade that someone curates from &#34;Show HN&#34; threads! Delightful.

&gt; The HN Arcade is a community-driven directory of games discovered from Hacker News Show HN posts.

Source: [The HN Arcade](https://hnarcade.com)
</source:markdown>
    </item>
    
    <item>
      <title>Violently boiling water in some monstrous kettle</title>
      <link>https://thoughtshrapnel.com/2026/04/09/violently-boiling-water-in-some.html</link>
      <pubDate>Thu, 09 Apr 2026 09:06:36 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/04/09/violently-boiling-water-in-some.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/r2012418-890164-b39-f32-012.jpg&#34; width=&#34;600&#34; height=&#34;434&#34; alt=&#34;Auto-generated description: A complex pattern of abstract, black symbols and shapes is scattered across a white background.&#34;&gt;
&lt;p&gt;What I like about this website is that it&amp;rsquo;s not just &amp;ldquo;art&amp;rdquo; but &lt;em&gt;art with a purpose&lt;/em&gt;. The subtitle of this project is &lt;em&gt;Experimental Notation in Music, Art, Poetry, and Dance, 1950–1975&lt;/em&gt; and covers artists I&amp;rsquo;ve heard of, such as John Cage, and many I haven&amp;rsquo;t.&lt;/p&gt;
&lt;p&gt;What they share is an ability to rethink the way in which their art is &lt;em&gt;denoted&lt;/em&gt;. For example:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The pointillism of Morton Feldman’s Intersection 3 is an early example of experimental musical notation. One of many pieces in the 1950s that Feldman wrote on graph paper, the work features a metronomic tempo while inviting its performer, the pianist David Tudor, to decide what pitches to play, prescribing only the number of notes and the general pitch range. The sounds that resulted evoked associations of combat and even brutality among critics, an aesthetic that Feldman himself described as “violently boiling water in some monstrous kettle.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ambiguity often gets a bad rap, but it&amp;rsquo;s something that fascinates me – and is, I believe, at the heart of creativity. You can see what I mean by looking at the overlapping circles diagram in &lt;a href=&#34;https://dougbelshaw.com/ambiguity/&#34;&gt;this paper&lt;/a&gt; I wrote with my thesis supervisor 15 years ago.&lt;/p&gt;
&lt;p&gt;TL;DR: words and symbols both &lt;em&gt;denote&lt;/em&gt; and &lt;em&gt;connote&lt;/em&gt; things, and it&amp;rsquo;s at the overlap of this denotation and connotation that interesting things happen.&lt;/p&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://www.getty.edu/publications/scores/&#34;&gt;The Scores Project&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/r2012418-890164-b39-f32-012.jpg&#34; width=&#34;600&#34; height=&#34;434&#34; alt=&#34;Auto-generated description: A complex pattern of abstract, black symbols and shapes is scattered across a white background.&#34;&gt;

What I like about this website is that it&#39;s not just &#34;art&#34; but _art with a purpose_. The subtitle of this project is _Experimental Notation in Music, Art, Poetry, and Dance, 1950–1975_ and covers artists I&#39;ve heard of, such as John Cage, and many I haven&#39;t. 

What they share is an ability to rethink the way in which their art is _denoted_. For example: 

&gt; The pointillism of Morton Feldman’s Intersection 3 is an early example of experimental musical notation. One of many pieces in the 1950s that Feldman wrote on graph paper, the work features a metronomic tempo while inviting its performer, the pianist David Tudor, to decide what pitches to play, prescribing only the number of notes and the general pitch range. The sounds that resulted evoked associations of combat and even brutality among critics, an aesthetic that Feldman himself described as “violently boiling water in some monstrous kettle.” 

Ambiguity often gets a bad rap, but it&#39;s something that fascinates me – and is, I believe, at the heart of creativity. You can see what I mean by looking at the overlapping circles diagram in [this paper](https://dougbelshaw.com/ambiguity/) I wrote with my thesis supervisor 15 years ago. 

TL;DR: words and symbols both _denote_ and _connote_ things, and it&#39;s at the overlap of this denotation and connotation that interesting things happen. 

Source: [The Scores Project](https://www.getty.edu/publications/scores/)
</source:markdown>
    </item>
    
    <item>
      <title>You made this? </title>
      <link>https://thoughtshrapnel.com/2026/04/09/you-made-this.html</link>
      <pubDate>Thu, 09 Apr 2026 08:49:20 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/04/09/you-made-this.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/eyjidwnrzxqioijhcmvuyv9pbwfnzxmilcjrzxkioii0nta1ndg5my9vcmlnaw5hbf9kmge2nzb.webp&#34; width=&#34;600&#34; height=&#34;600&#34; alt=&#34;Auto-generated description: A bird expresses amazement at a birdhouse another bird has made, to which the creator proudly responds, yes.&#34;&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://theycantalk.com/post/813097330414927872/made&#34;&gt;they can talk&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/eyjidwnrzxqioijhcmvuyv9pbwfnzxmilcjrzxkioii0nta1ndg5my9vcmlnaw5hbf9kmge2nzb.webp&#34; width=&#34;600&#34; height=&#34;600&#34; alt=&#34;Auto-generated description: A bird expresses amazement at a birdhouse another bird has made, to which the creator proudly responds, yes.&#34;&gt;

Source: [they can talk](https://theycantalk.com/post/813097330414927872/made)
</source:markdown>
    </item>
    
    <item>
      <title>Lemme finish this sentence...</title>
      <link>https://thoughtshrapnel.com/2026/04/09/hang-on-a-minute-just.html</link>
      <pubDate>Thu, 09 Apr 2026 08:43:37 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/04/09/hang-on-a-minute-just.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/original-497dc3b9a39ada070d0aade34ed8842c.jpg&#34; width=&#34;600&#34; height=&#34;599&#34; alt=&#34;Auto-generated description: A man lies on the ground writing in a notebook while seemingly being swallowed by the open mouth of a large alligator or crocodile.&#34;&gt;
&lt;p&gt;Obviously staged, but I love this photo of the &amp;ldquo;artist and bon vivant&amp;rdquo; &lt;a href=&#34;https://www.vanityfair.com/style/2020/09/the-legend-of-peter-beard&#34;&gt;Peter Beard&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://www.are.na/block/45054412&#34;&gt;Are.na&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/original-497dc3b9a39ada070d0aade34ed8842c.jpg&#34; width=&#34;600&#34; height=&#34;599&#34; alt=&#34;Auto-generated description: A man lies on the ground writing in a notebook while seemingly being swallowed by the open mouth of a large alligator or crocodile.&#34;&gt;

Obviously staged, but I love this photo of the &#34;artist and bon vivant&#34; [Peter Beard](https://www.vanityfair.com/style/2020/09/the-legend-of-peter-beard).

Source: [Are.na](https://www.are.na/block/45054412)
</source:markdown>
    </item>
    
    <item>
      <title>Earthrise, Take 2</title>
      <link>https://thoughtshrapnel.com/2026/04/09/earthrise-take.html</link>
      <pubDate>Thu, 09 Apr 2026 08:34:16 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/04/09/earthrise-take.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/art002e009289large.jpg&#34; width=&#34;600&#34; height=&#34;400&#34; alt=&#34;Auto-generated description: A view of Earth rising over the rugged, cratered surface of the Moon.&#34;&gt;
&lt;p&gt;This is my favourite photo of those released by NASA from the Artemis II Lunar Flyby. There are also a lot more, including of the crew and ground control on the &lt;a href=&#34;https://www.flickr.com/photos/nasa2explore/&#34;&gt;NASA Johnson&lt;/a&gt; Flickr account.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The first flyby images of the Moon captured by NASA’s Artemis II astronauts during their historic test flight reveal regions no human has ever seen before—including a rare in-space solar eclipse. Released Tuesday, April 7, 2026, the photos were taken on April 6 during the crew’s seven‑hour pass over the lunar far side, marking humanity’s return to the Moon’s vicinity.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://www.nasa.gov/gallery/lunar-flyby/&#34;&gt;NASA | Artemis II Lunar Flyby&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/art002e009289large.jpg&#34; width=&#34;600&#34; height=&#34;400&#34; alt=&#34;Auto-generated description: A view of Earth rising over the rugged, cratered surface of the Moon.&#34;&gt;

This is my favourite photo of those released by NASA from the Artemis II Lunar Flyby. There are also a lot more, including of the crew and ground control on the [NASA Johnson](https://www.flickr.com/photos/nasa2explore/) Flickr account.

&gt; The first flyby images of the Moon captured by NASA’s Artemis II astronauts during their historic test flight reveal regions no human has ever seen before—including a rare in-space solar eclipse. Released Tuesday, April 7, 2026, the photos were taken on April 6 during the crew’s seven‑hour pass over the lunar far side, marking humanity’s return to the Moon’s vicinity.

Source: [NASA | Artemis II Lunar Flyby](https://www.nasa.gov/gallery/lunar-flyby/)
</source:markdown>
    </item>
    
    <item>
      <title>Commonplace</title>
      <link>https://thoughtshrapnel.com/2026/04/09/commonplace.html</link>
      <pubDate>Thu, 09 Apr 2026 08:28:53 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/04/09/commonplace.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/commonplace-promo.png&#34; width=&#34;600&#34; height=&#34;315&#34; alt=&#34;Auto-generated description: Commonplace is described as a platform for curating and sharing links across the open social web, with options like Mastodon and RSS, and no account required.&#34;&gt;
&lt;p&gt;I&amp;rsquo;m building and experimenting with a new &lt;em&gt;Thought Shrapnel&lt;/em&gt;-adjacent thing called Commonplace. It&amp;rsquo;s a federated collection manager for the open social web.&lt;/p&gt;
&lt;p&gt;You can &lt;a href=&#34;https://commonplace.dynamicskillset.com/&#34;&gt;try it out&lt;/a&gt; and/or &lt;a href=&#34;https://framagit.org/dynamicskillset/commonplace&#34;&gt;install your own version&lt;/a&gt;. I haven&amp;rsquo;t given up on the #MoodleNet idea of communities curating collections. It&amp;rsquo;s currently links-only, but once I get the right protections in place, I plan to allow resource uploads, as well as the ability to have to sign in to view collections.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Commonplace is a link collection manager for the open social web. Organise links by topic, invite collaborators, and share collections with people on Mastodon, Bluesky, and RSS — without asking them to sign up anywhere new.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://dynamicskillset.frama.io/commonplace/&#34;&gt;Commonplace&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/commonplace-promo.png&#34; width=&#34;600&#34; height=&#34;315&#34; alt=&#34;Auto-generated description: Commonplace is described as a platform for curating and sharing links across the open social web, with options like Mastodon and RSS, and no account required.&#34;&gt;

I&#39;m building and experimenting with a new _Thought Shrapnel_-adjacent thing called Commonplace. It&#39;s a federated collection manager for the open social web.

You can [try it out](https://commonplace.dynamicskillset.com/) and/or [install your own version](https://framagit.org/dynamicskillset/commonplace). I haven&#39;t given up on the #MoodleNet idea of communities curating collections. It&#39;s currently links-only, but once I get the right protections in place, I plan to allow resource uploads, as well as the ability to have to sign in to view collections.   

&gt; Commonplace is a link collection manager for the open social web. Organise links by topic, invite collaborators, and share collections with people on Mastodon, Bluesky, and RSS — without asking them to sign up anywhere new.

Source: [Commonplace](https://dynamicskillset.frama.io/commonplace/) 
</source:markdown>
    </item>
    
    <item>
      <title>🐣 Happy Easter! </title>
      <link>https://thoughtshrapnel.com/2026/04/04/happy-easter.html</link>
      <pubDate>Sat, 04 Apr 2026 16:48:10 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/04/04/happy-easter.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://hotnews8.net/funny/simulacra&#34;&gt;&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/original-ebd687a6ca71e6565c1d02ead8ce7bb9.webp&#34; width=&#34;600&#34; height=&#34;750&#34; alt=&#34;Auto-generated description: A brick wall with two circular windows and an arched doorway resembles a face.&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;No &lt;em&gt;Thought Shrapnel&lt;/em&gt; this week. Enjoy celebrating/not celebrating Easter however you do (or don&amp;rsquo;t do) it! 🙂&lt;/p&gt;
</description>
      <source:markdown>&lt;a href=&#34;https://hotnews8.net/funny/simulacra&#34;&gt;&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/original-ebd687a6ca71e6565c1d02ead8ce7bb9.webp&#34; width=&#34;600&#34; height=&#34;750&#34; alt=&#34;Auto-generated description: A brick wall with two circular windows and an arched doorway resembles a face.&#34;&gt;&lt;/a&gt;

No _Thought Shrapnel_ this week. Enjoy celebrating/not celebrating Easter however you do (or don&#39;t do) it! 🙂
</source:markdown>
    </item>
    
    <item>
      <title>A Victorian-era LLM</title>
      <link>https://thoughtshrapnel.com/2026/03/29/a-victorianera-llm.html</link>
      <pubDate>Sun, 29 Mar 2026 07:11:26 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/29/a-victorianera-llm.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/kristin-snippe-kzsvumcstx0-unsplash.jpg&#34; width=&#34;600&#34; height=&#34;900&#34; alt=&#34;Statue of Queen Victoria in Croydon, London&#34;&gt;
&lt;p&gt;If you scratch away the surface, I&amp;rsquo;m still a History teacher underneath, so I &lt;em&gt;love&lt;/em&gt; this idea of training an LLM on Victorian-era texts! It&amp;rsquo;s pretty slow, but fun.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Mr. Chatterbox is a language model trained entirely from scratch on a corpus of over 28,000 Victorian-era British texts published between 1837 and 1899, drawn from a dataset made available by the British Library. He is not a modern AI putting on an accent — his vocabulary, ideas, and worldview are formed exclusively from nineteenth-century literature.&lt;/p&gt;
&lt;p&gt;He excels at discussions of Victorian life, literature, science, philosophy, manners, and the great questions of the age. Ask him about the railways, the Crystal Palace, Mr. Darwin&amp;rsquo;s theories, or the proper conduct of a gentleman. As the model is still in beta, some responses may be a little wonky. If this happens, click on an answer to regenerate it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://huggingface.co/spaces/tventurella/mr_chatterbox&#34;&gt;Hugging Face&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Image: &lt;a href=&#34;https://unsplash.com/photos/a-close-up-of-a-statue-of-a-woman-KZsvUmcSTX0&#34;&gt;Kristin Snippe&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/kristin-snippe-kzsvumcstx0-unsplash.jpg&#34; width=&#34;600&#34; height=&#34;900&#34; alt=&#34;Statue of Queen Victoria in Croydon, London&#34;&gt;

If you scratch away the surface, I&#39;m still a History teacher underneath, so I _love_ this idea of training an LLM on Victorian-era texts! It&#39;s pretty slow, but fun.

&gt; Mr. Chatterbox is a language model trained entirely from scratch on a corpus of over 28,000 Victorian-era British texts published between 1837 and 1899, drawn from a dataset made available by the British Library. He is not a modern AI putting on an accent — his vocabulary, ideas, and worldview are formed exclusively from nineteenth-century literature.
&gt;
&gt; He excels at discussions of Victorian life, literature, science, philosophy, manners, and the great questions of the age. Ask him about the railways, the Crystal Palace, Mr. Darwin&#39;s theories, or the proper conduct of a gentleman. As the model is still in beta, some responses may be a little wonky. If this happens, click on an answer to regenerate it.

Source: [Hugging Face](https://huggingface.co/spaces/tventurella/mr_chatterbox)

Image: [Kristin Snippe](https://unsplash.com/photos/a-close-up-of-a-statue-of-a-woman-KZsvUmcSTX0)
</source:markdown>
    </item>
    
    <item>
      <title>2026 is about &#39;Aspirational Humanity&#39; – amongst other things</title>
      <link>https://thoughtshrapnel.com/2026/03/28/is-all-about-aspirational-humanity.html</link>
      <pubDate>Sat, 28 Mar 2026 22:15:25 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/28/is-all-about-aspirational-humanity.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/screenshot-2026-03-28-at-21.04.31.png&#34; width=&#34;600&#34; height=&#34;337&#34; alt=&#34;Auto-generated description: A large bubble floats in the sky above pink clouds with the text What&#39;s Anu 2026 Macrotrend Report Public Preview overlaying the image.&#34;&gt;
&lt;p&gt;The key themes in this slide deck are interesting, especially as I like to be able to &lt;em&gt;name&lt;/em&gt; things that I&amp;rsquo;m seeing/sensing:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;Aspirational Humanity&lt;/strong&gt; – &amp;ldquo;As artificial intelligence hyper-flattens mass culture, anything denoting evidence of humanity becomes exceptionally desirable.&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Sensorial Potency&lt;/strong&gt; – &amp;ldquo;The drive to over-optimize everything has left us in a sensory void.&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Subversive Sincerity&lt;/strong&gt; – &amp;ldquo;The performance of ironic detachment is growing tired, and the fantasy of regressive nostalgia is no longer meeting expectations.&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Algorithmic Evasion&lt;/strong&gt; – &amp;ldquo;Exasperation with social media isn&amp;rsquo;t new, but chaos overload and sloppification has pushed annoyance to a threshold for action.&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Subtle Sustainability&lt;/strong&gt; – &amp;ldquo;Politicization has quieted brand environmental efforts over the past year, while the public succumbs to eco-fatigue upon realizing the relatively miniscule impact of individual action.&amp;rdquo;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://docs.google.com/presentation/d/1gHD5Vl28rtjEFE7OGGMD6DtA5fVco88oRrEt11TWAh4/present&#34;&gt;WHAT&amp;rsquo;S ANU&lt;/a&gt; (more &lt;a href=&#34;https://whatsanu.substack.com/p/trend-strategy&#34;&gt;here&lt;/a&gt;)&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/screenshot-2026-03-28-at-21.04.31.png&#34; width=&#34;600&#34; height=&#34;337&#34; alt=&#34;Auto-generated description: A large bubble floats in the sky above pink clouds with the text What&#39;s Anu 2026 Macrotrend Report Public Preview overlaying the image.&#34;&gt;

The key themes in this slide deck are interesting, especially as I like to be able to _name_ things that I&#39;m seeing/sensing:

* **Aspirational Humanity** – &#34;As artificial intelligence hyper-flattens mass culture, anything denoting evidence of humanity becomes exceptionally desirable.&#34;
* **Sensorial Potency** – &#34;The drive to over-optimize everything has left us in a sensory void.&#34;
* **Subversive Sincerity** – &#34;The performance of ironic detachment is growing tired, and the fantasy of regressive nostalgia is no longer meeting expectations.&#34;
* **Algorithmic Evasion** – &#34;Exasperation with social media isn&#39;t new, but chaos overload and sloppification has pushed annoyance to a threshold for action.&#34;
* **Subtle Sustainability** – &#34;Politicization has quieted brand environmental efforts over the past year, while the public succumbs to eco-fatigue upon realizing the relatively miniscule impact of individual action.&#34;

Source: [WHAT&#39;S ANU](https://docs.google.com/presentation/d/1gHD5Vl28rtjEFE7OGGMD6DtA5fVco88oRrEt11TWAh4/present) (more [here](https://whatsanu.substack.com/p/trend-strategy))
</source:markdown>
    </item>
    
    <item>
      <title>Clippy sez: Just Do It</title>
      <link>https://thoughtshrapnel.com/2026/03/28/clippy-sez-just-do-it.html</link>
      <pubDate>Sat, 28 Mar 2026 20:00:14 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/28/clippy-sez-just-do-it.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/eyjidwnrzxqioijhcmvuyv9pbwfnzxmilcjrzxkioii0mjg3odc0mi9vcmlnaw5hbf8wmjjknjg.webp&#34; width=&#34;600&#34; height=&#34;591&#34; alt=&#34;Auto-generated description: A cartoon paperclip character humorously questions if someone is waiting for ideal conditions that don&#39;t exist, offering sarcastic responses I&#39;m aware and Wow, rude.&#34;&gt;
&lt;p&gt;Wow, rude.&lt;/p&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://www.are.na/block/42878742&#34;&gt;Are.na&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/eyjidwnrzxqioijhcmvuyv9pbwfnzxmilcjrzxkioii0mjg3odc0mi9vcmlnaw5hbf8wmjjknjg.webp&#34; width=&#34;600&#34; height=&#34;591&#34; alt=&#34;Auto-generated description: A cartoon paperclip character humorously questions if someone is waiting for ideal conditions that don&#39;t exist, offering sarcastic responses I&#39;m aware and Wow, rude.&#34;&gt;

Wow, rude.

Source: [Are.na](https://www.are.na/block/42878742)
</source:markdown>
    </item>
    
    <item>
      <title>Each came down with spectacular clarity, each a wingless fuselage, quietly descending to the depths of the ocean floor.</title>
      <link>https://thoughtshrapnel.com/2026/03/28/each-came-down-with-spectacular.html</link>
      <pubDate>Sat, 28 Mar 2026 19:56:26 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/28/each-came-down-with-spectacular.html</guid>
      <description>&lt;img src=&#34;uploads/2026/tiana-attride-vms6gpwklaq-unsplash.jpg&#34; width=&#34;600&#34; height=&#34;400&#34; alt=&#34;Auto-generated description: A weathered, abandoned airplane wreck rests on a desolate terrain under a cloudy sky.&#34;&gt;
&lt;p&gt;This is an incredible read, and I&amp;rsquo;d encourage you to set aside the time to do so. I&amp;rsquo;m old so I literally printed it out to give it the attention it deserves.&lt;/p&gt;
&lt;p&gt;Cade Diehm, founder of &lt;a href=&#34;https://newdesigncongress.org/en/pub/the-great-convergence-and-its-discontents/&#34;&gt;New Design Congress&lt;/a&gt;, explains where we&amp;rsquo;re at. It&amp;rsquo;s a long essay, so this post is going to be longer than your average &lt;em&gt;Thought Shrapnel&lt;/em&gt; post.&lt;/p&gt;
&lt;p&gt;Diehm argues that last year, there were a couple of long-standing trends which combined. Each trend had multiple sub-trends:&lt;/p&gt;
&lt;p&gt;First, the rise of techno-authoritarianism was enabled by &lt;a href=&#34;https://en.wikipedia.org/wiki/Elite_overproduction&#34;&gt;elite overproduction&lt;/a&gt; causing white-collar workers to lean right.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For nearly fifteen years, victories that civil society had considered impossible just… kept happening. Brexit was a shock. Trump 2016 was a shock. Bolsonaro was a shock. Each time, the same institutions that had failed to predict the previous “impossible” outcome confidently assured everyone that they had learned from their mistakes and could now see clearly. Each time, they were wrong in precisely the same way. The unthinkable – which was becoming &lt;em&gt;very fucking thinkable&lt;/em&gt; even before large swathes of the ‘old country’ voted to destroy its own economy and isolate itself from the European Union – should have been at the forefront of everyone’s minds. &lt;em&gt;It just wasn’t.&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Meanwhile, the post-COVID and post-DOGE structural collapse of a “professionalised” civil society infrastructure (which had long since lost touch with reality) means that frustrated “counter-elites” are willing to stand and watch it all burn. They are guided intellectually by figures like Curtis Yarvin and Nick Land who normalise the idea that “democracy is theatre” and that technology should “operate beyond democratic control”.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What the first half of the 2020s demonstrated something worse than incompetence or moral failure: Civil society had become structurally incapable of seeing anything beyond its own comforts, its own reporting metrics, and its own operational assumptions. The same adversary returned, better organised, and far better prepared. What the authoritarian apparatus met was a civil society architecture that had not truly hardened in response, because civil society had lost the capacity to respond to material conditions. Civil society’s collapse displaced precisely the people who had assumed their positions were permanent.&lt;/p&gt;
&lt;p&gt;And in that collapse, you can hear &lt;em&gt;clearly&lt;/em&gt; the death rattle of Cold War economics, the spectacular end to Fukuyama’s short-lived &lt;em&gt;End of History&lt;/em&gt; pinkie-promise. Some institutions fell to earth without even a whimper, their directors discovering one morning that decades of carefully cultivated influence had evaporated overnight.&lt;/p&gt;
&lt;p&gt;Others – &lt;em&gt;and I speak to you plainly from painful and intimate experience&lt;/em&gt; – turned cannibal. Without shame or decorum, they devoured their allies and their own children in desperate, grotesque attempts to survive another quarter. What they all have in common is a shared façade of legitimacy, resilience, and insight. Each came down with spectacular clarity, each a wingless fuselage, quietly descending to the depths of the ocean floor.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;At the same time, a new tech frontier has been enabled through LLMs, crypto, and digital identity. It&amp;rsquo;s an opaque enforcement infrastructure used by elites use to create what Diehm calls a “boom‑extract‑enforce” cycle. They launch new systems, extract value through artificial scarcity, then lock people by making them too embedded (and technically complex) to contest.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;But why technology, and why now?&lt;/em&gt; There are many reasons – thresholds of money, structure, and discipline, yes – but also because the new generation of tech is a distinct lineup: large language models, the metaverse, cryptography, cryptocurrency, digital identity, and quantum computing. Together, they form an uninterpretable frontier that simultaneously penetrates everything while remaining incomprehensible to democratic oversight.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;However, as Diehm notes, all is not lost. All of this is &lt;em&gt;materially&lt;/em&gt; fragile, dependent on vulnerable physical infrastructure, as shown by MR CHOPPY:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The technobros and the shell-shocked civil-society actor alike are incapable of seeing the contradiction they both agree on: physical infrastructure as immaterial and disposable despite its precarious fragility while simultaneously fetishising the copyable, hackable, unstable, and constantly degrading contents of the digital as resilient, transcendent, and handed down from God himself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also, the same elite overproduction which creates techno‑authoritarians &lt;em&gt;also&lt;/em&gt; produces what Diehm calls “fallen angels” which are displaced insiders with capital, skills and a sense of betrayal. They are now reachable directly, without having to go via NGOs. So what he proposes is to build “post‑institutions” which can briefly described as low‑overhead, infrastructure‑independent, venue‑less, “deletable” forms of organisation. Thse prioritise discretion, direct relationships and guaranteed exit, offering alternative power bases rather than trying to revive the hollowed‑out civil‑society model.&lt;/p&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://newdesigncongress.org/en/pub/the-great-convergence-and-its-discontents/&#34;&gt;New Design Congress&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Image: &lt;a href=&#34;https://unsplash.com/photos/gray-airplane-digital-wallpaper-vmS6gpwkLaQ&#34;&gt;Tiana Attride&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;uploads/2026/tiana-attride-vms6gpwklaq-unsplash.jpg&#34; width=&#34;600&#34; height=&#34;400&#34; alt=&#34;Auto-generated description: A weathered, abandoned airplane wreck rests on a desolate terrain under a cloudy sky.&#34;&gt;

This is an incredible read, and I&#39;d encourage you to set aside the time to do so. I&#39;m old so I literally printed it out to give it the attention it deserves.

Cade Diehm, founder of [New Design Congress](https://newdesigncongress.org/en/pub/the-great-convergence-and-its-discontents/), explains where we&#39;re at. It&#39;s a long essay, so this post is going to be longer than your average _Thought Shrapnel_ post.

Diehm argues that last year, there were a couple of long-standing trends which combined. Each trend had multiple sub-trends:

First, the rise of techno-authoritarianism was enabled by [elite overproduction](https://en.wikipedia.org/wiki/Elite_overproduction) causing white-collar workers to lean right. 

&gt; For nearly fifteen years, victories that civil society had considered impossible just… kept happening. Brexit was a shock. Trump 2016 was a shock. Bolsonaro was a shock. Each time, the same institutions that had failed to predict the previous “impossible” outcome confidently assured everyone that they had learned from their mistakes and could now see clearly. Each time, they were wrong in precisely the same way. The unthinkable – which was becoming _very fucking thinkable_ even before large swathes of the ‘old country’ voted to destroy its own economy and isolate itself from the European Union – should have been at the forefront of everyone’s minds. _It just wasn’t._

Meanwhile, the post-COVID and post-DOGE structural collapse of a “professionalised” civil society infrastructure (which had long since lost touch with reality) means that frustrated “counter-elites” are willing to stand and watch it all burn. They are guided intellectually by figures like Curtis Yarvin and Nick Land who normalise the idea that “democracy is theatre” and that technology should “operate beyond democratic control”.

&gt; What the first half of the 2020s demonstrated something worse than incompetence or moral failure: Civil society had become structurally incapable of seeing anything beyond its own comforts, its own reporting metrics, and its own operational assumptions. The same adversary returned, better organised, and far better prepared. What the authoritarian apparatus met was a civil society architecture that had not truly hardened in response, because civil society had lost the capacity to respond to material conditions. Civil society’s collapse displaced precisely the people who had assumed their positions were permanent.
&gt;
&gt; And in that collapse, you can hear _clearly_ the death rattle of Cold War economics, the spectacular end to Fukuyama’s short-lived _End of History_ pinkie-promise. Some institutions fell to earth without even a whimper, their directors discovering one morning that decades of carefully cultivated influence had evaporated overnight.
&gt;
&gt; Others – _and I speak to you plainly from painful and intimate experience_ – turned cannibal. Without shame or decorum, they devoured their allies and their own children in desperate, grotesque attempts to survive another quarter. What they all have in common is a shared façade of legitimacy, resilience, and insight. Each came down with spectacular clarity, each a wingless fuselage, quietly descending to the depths of the ocean floor.

At the same time, a new tech frontier has been enabled through LLMs, crypto, and digital identity. It&#39;s an opaque enforcement infrastructure used by elites use to create what Diehm calls a “boom‑extract‑enforce” cycle. They launch new systems, extract value through artificial scarcity, then lock people by making them too embedded (and technically complex) to contest. 

&gt; _But why technology, and why now?_ There are many reasons – thresholds of money, structure, and discipline, yes – but also because the new generation of tech is a distinct lineup: large language models, the metaverse, cryptography, cryptocurrency, digital identity, and quantum computing. Together, they form an uninterpretable frontier that simultaneously penetrates everything while remaining incomprehensible to democratic oversight.

However, as Diehm notes, all is not lost. All of this is _materially_ fragile, dependent on vulnerable physical infrastructure, as shown by MR CHOPPY:

&gt; The technobros and the shell-shocked civil-society actor alike are incapable of seeing the contradiction they both agree on: physical infrastructure as immaterial and disposable despite its precarious fragility while simultaneously fetishising the copyable, hackable, unstable, and constantly degrading contents of the digital as resilient, transcendent, and handed down from God himself.

Also, the same elite overproduction which creates techno‑authoritarians _also_ produces what Diehm calls “fallen angels” which are displaced insiders with capital, skills and a sense of betrayal. They are now reachable directly, without having to go via NGOs. So what he proposes is to build “post‑institutions” which can briefly described as low‑overhead, infrastructure‑independent, venue‑less, “deletable” forms of organisation. Thse prioritise discretion, direct relationships and guaranteed exit, offering alternative power bases rather than trying to revive the hollowed‑out civil‑society model.

Source: [New Design Congress](https://newdesigncongress.org/en/pub/the-great-convergence-and-its-discontents/)

Image: [Tiana Attride](https://unsplash.com/photos/gray-airplane-digital-wallpaper-vmS6gpwkLaQ)
</source:markdown>
    </item>
    
    <item>
      <title>I must trouble the reader to correct the errata... For I am quite tired.</title>
      <link>https://thoughtshrapnel.com/2026/03/28/i-must-trouble-the-reader.html</link>
      <pubDate>Sat, 28 Mar 2026 18:28:19 +0000</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/28/i-must-trouble-the-reader.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/eyjidwnrzxqioijhcmvuyv9pbwfnzxmilcjrzxkioii0ndgwmdkzni9vcmlnaw5hbf9jntrlnwu.webp&#34; width=&#34;590&#34; height=&#34;502&#34; alt=&#34;Auto-generated description: A piece of text requests the reader to correct print errors and mentions the writer&#39;s fatigue.&#34;&gt;
&lt;p&gt;Well, indeed.&lt;/p&gt;
&lt;p&gt;My little robot friend says the origin is as follows:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;That line is from the 1704 pamphlet “A Defence of a Book intituled The Snake in the Grass. In reply to several Answers put out to it by George Whitehead, Joseph Wyeth, &amp;amp;c.” by the Anglican controversialist Charles Leslie.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://www.are.na/block/44800936&#34;&gt;Are.na&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/eyjidwnrzxqioijhcmvuyv9pbwfnzxmilcjrzxkioii0ndgwmdkzni9vcmlnaw5hbf9jntrlnwu.webp&#34; width=&#34;590&#34; height=&#34;502&#34; alt=&#34;Auto-generated description: A piece of text requests the reader to correct print errors and mentions the writer&#39;s fatigue.&#34;&gt;

Well, indeed.

My little robot friend says the origin is as follows:

&gt; That line is from the 1704 pamphlet “A Defence of a Book intituled The Snake in the Grass. In reply to several Answers put out to it by George Whitehead, Joseph Wyeth, &amp;c.” by the Anglican controversialist Charles Leslie.

Source: [Are.na](https://www.are.na/block/44800936)
</source:markdown>
    </item>
    
    <item>
      <title>Thought Shrapnel&#39;s 50 most-referenced sources (2018-2026)</title>
      <link>https://thoughtshrapnel.com/2026/03/28/thought-shrapnels-mostreferenced-sources.html</link>
      <pubDate>Sat, 28 Mar 2026 19:17:54 +0100</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/28/thought-shrapnels-mostreferenced-sources.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/thought-shrapnel-top50-spaced.png&#34; width=&#34;600&#34; height=&#34;759&#34; alt=&#34;Auto-generated description: A bar graph displays the total references of various websites, with en.wikipedia.org having the highest count.&#34;&gt;
&lt;p&gt;I&amp;rsquo;ve been travelling to and from Huddersfield today (2.5 hours each way) for my daughter&amp;rsquo;s &lt;a href=&#34;https://jplwarriors.com/&#34;&gt;JPL&lt;/a&gt; football match. My wife and I shared the driving, so I took the opportunity to do some reading and also&amp;hellip; get &lt;a href=&#34;https://claude.ai&#34;&gt;Claude&lt;/a&gt; to do some analysis of &lt;em&gt;Thought Shrapnel&lt;/em&gt; (2018-2026)&lt;/p&gt;
&lt;p&gt;For those interested, the chart at the top shows my 50 most-referenced sources, from a total of 2117 total sources. The top 50 are links below; no massive surprises! It does go to show, however, the &lt;em&gt;diversity&lt;/em&gt; of sources that I link to here&amp;hellip;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://en.wikipedia.org&#34;&gt;en.wikipedia.org&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://unsplash.com&#34;&gt;unsplash.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://theguardian.com&#34;&gt;theguardian.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://dougbelshaw.com&#34;&gt;dougbelshaw.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://youtube.com&#34;&gt;youtube.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://medium.com&#34;&gt;medium.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://bbc.co.uk&#34;&gt;bbc.co.uk&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://nytimes.com&#34;&gt;nytimes.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://theatlantic.com&#34;&gt;theatlantic.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://twitter.com&#34;&gt;twitter.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mailchi.mp&#34;&gt;mailchi.mp&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://fastcompany.com&#34;&gt;fastcompany.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://wired.com&#34;&gt;wired.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://aeon.co&#34;&gt;aeon.co&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://moodle.com&#34;&gt;moodle.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://weareopen.coop&#34;&gt;weareopen.coop&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://theverge.com&#34;&gt;theverge.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://betterimagesofai.org&#34;&gt;betterimagesofai.org&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://are.na&#34;&gt;are.na&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://patreon.com&#34;&gt;patreon.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://worldcat.org&#34;&gt;worldcat.org&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://linkedin.com&#34;&gt;linkedin.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://flickr.com&#34;&gt;flickr.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://newyorker.com&#34;&gt;newyorker.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://github.com&#34;&gt;github.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://openai.com&#34;&gt;openai.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://arstechnica.com&#34;&gt;arstechnica.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://addons.mozilla.org&#34;&gt;addons.mozilla.org&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://downes.ca&#34;&gt;downes.ca&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://eff.org&#34;&gt;eff.org&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://web.archive.org&#34;&gt;web.archive.org&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://kottke.org&#34;&gt;kottke.org&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://bbc.com&#34;&gt;bbc.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://technologyreview.com&#34;&gt;technologyreview.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://hbr.org&#34;&gt;hbr.org&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://techcrunch.com&#34;&gt;techcrunch.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://vox.com&#34;&gt;vox.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://social.coop&#34;&gt;social.coop&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://openbadges.org&#34;&gt;openbadges.org&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://qz.com&#34;&gt;qz.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://goodreads.com&#34;&gt;goodreads.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://bonfirenetworks.org&#34;&gt;bonfirenetworks.org&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://vice.com&#34;&gt;vice.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://garbageday.email&#34;&gt;garbageday.email&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://creativecommons.org&#34;&gt;creativecommons.org&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://blog.weareopen.coop&#34;&gt;blog.weareopen.coop&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://laurahilliger.com&#34;&gt;laurahilliger.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://warrenellis.ltd&#34;&gt;warrenellis.ltd&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://opensource.com&#34;&gt;opensource.com&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://boingboing.net&#34;&gt;boingboing.net&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I&amp;rsquo;ve also extracted ever RSS feed for sources I&amp;rsquo;ve referenced more than once into an OPML file, which you can &lt;a href=&#34;https://drive.proton.me/urls/QCXK51AS4R#xmZM25ZHRavv&#34;&gt;access here&lt;/a&gt; and import to RSS readers (including &lt;a href=&#34;https://dynamicskillset.github.io/stream/&#34;&gt;Stream&lt;/a&gt;).&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/thought-shrapnel-top50-spaced.png&#34; width=&#34;600&#34; height=&#34;759&#34; alt=&#34;Auto-generated description: A bar graph displays the total references of various websites, with en.wikipedia.org having the highest count.&#34;&gt;

I&#39;ve been travelling to and from Huddersfield today (2.5 hours each way) for my daughter&#39;s [JPL](https://jplwarriors.com/) football match. My wife and I shared the driving, so I took the opportunity to do some reading and also... get [Claude](https://claude.ai) to do some analysis of _Thought Shrapnel_ (2018-2026)

For those interested, the chart at the top shows my 50 most-referenced sources, from a total of 2117 total sources. The top 50 are links below; no massive surprises! It does go to show, however, the _diversity_ of sources that I link to here...

* [en.wikipedia.org](https://en.wikipedia.org)
* [unsplash.com](https://unsplash.com)
* [theguardian.com](https://theguardian.com)
* [dougbelshaw.com](https://dougbelshaw.com)
* [youtube.com](https://youtube.com)
* [medium.com](https://medium.com)
* [bbc.co.uk](https://bbc.co.uk)
* [nytimes.com](https://nytimes.com)
* [theatlantic.com](https://theatlantic.com)
* [twitter.com](https://twitter.com)
* [mailchi.mp](https://mailchi.mp)
* [fastcompany.com](https://fastcompany.com)
* [wired.com](https://wired.com)
* [aeon.co](https://aeon.co)
* [moodle.com](https://moodle.com)
* [weareopen.coop](https://weareopen.coop)
* [theverge.com](https://theverge.com)
* [betterimagesofai.org](https://betterimagesofai.org)
* [are.na](https://are.na)
* [patreon.com](https://patreon.com)
* [worldcat.org](https://worldcat.org)
* [linkedin.com](https://linkedin.com)
* [flickr.com](https://flickr.com)
* [newyorker.com](https://newyorker.com)
* [github.com](https://github.com)
* [openai.com](https://openai.com)
* [arstechnica.com](https://arstechnica.com)
* [addons.mozilla.org](https://addons.mozilla.org)
* [downes.ca](https://downes.ca)
* [eff.org](https://eff.org)
* [web.archive.org](https://web.archive.org)
* [kottke.org](https://kottke.org)
* [bbc.com](https://bbc.com)
* [technologyreview.com](https://technologyreview.com)
* [hbr.org](https://hbr.org)
* [techcrunch.com](https://techcrunch.com)
* [vox.com](https://vox.com)
* [social.coop](https://social.coop)
* [openbadges.org](https://openbadges.org)
* [qz.com](https://qz.com)
* [goodreads.com](https://goodreads.com)
* [bonfirenetworks.org](https://bonfirenetworks.org)
* [vice.com](https://vice.com)
* [garbageday.email](https://garbageday.email)
* [creativecommons.org](https://creativecommons.org)
* [blog.weareopen.coop](https://blog.weareopen.coop)
* [laurahilliger.com](https://laurahilliger.com)
* [warrenellis.ltd](https://warrenellis.ltd)
* [opensource.com](https://opensource.com)
* [boingboing.net](https://boingboing.net)

I&#39;ve also extracted ever RSS feed for sources I&#39;ve referenced more than once into an OPML file, which you can [access here](https://drive.proton.me/urls/QCXK51AS4R#xmZM25ZHRavv) and import to RSS readers (including [Stream](https://dynamicskillset.github.io/stream/)). 
</source:markdown>
    </item>
    
    <item>
      <title>The hard work of building a thing now isn’t writing the code</title>
      <link>https://thoughtshrapnel.com/2026/03/28/the-hard-work-of-building.html</link>
      <pubDate>Sat, 28 Mar 2026 08:59:42 +0000</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/28/the-hard-work-of-building.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/robert-zunikoff-ko7tp-lyat4-unsplash.jpg&#34; width=&#34;600&#34; height=&#34;371&#34; alt=&#34;Auto-generated description: Clear water gently flows over colorful, rounded stones in a streambed.&#34;&gt;
&lt;p&gt;Last week, after seeing yet &lt;em&gt;another&lt;/em&gt; person wax lyrical about &lt;a href=&#34;https://www.terrygodier.com/current&#34;&gt;Current&lt;/a&gt; (on this occasion without even &lt;em&gt;using&lt;/em&gt; it!) I decided that I needed to do something about it.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Most RSS readers ask you to “mark as read.” Think about what that language implies. You&amp;rsquo;re granting the article a status change, like an administrator processing paperwork. Read. Filed. Handled.&lt;/p&gt;
&lt;p&gt;Current asks you to &lt;strong&gt;release&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;You can release from anywhere. In the river, a long swipe left on a card sends it flying off the screen. The remaining cards settle into the gap, the way water fills a space. One article, one gesture, gone.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Current, you see, while a fantastic idea, is only available for Apple devices. So I decided to create &lt;a href=&#34;https://dynamicskillset.github.io/stream/&#34;&gt;Stream&lt;/a&gt; which is Open Source, and cross-platform.&lt;/p&gt;
&lt;p&gt;Terry Godier, the author of Current was gracious in his response, and subsequently wrote a blog post about it:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This morning someone posted a video showing a version of Current they had built with an LLM. My reaction wasn’t to be upset or threatened or defensive. I felt disappointed. I wish they had pushed further, or added something new. What they built lacked a lot of the character and philosophy of what I did and only approximated the look.&lt;/p&gt;
&lt;p&gt;The hard work of building a thing now isn’t writing the code. But I don’t think it ever was.&lt;/p&gt;
&lt;p&gt;[&amp;hellip;]&lt;/p&gt;
&lt;p&gt;I think it’s really great to be excited about building things. There’s an agency, a sovereignty you can feel when building and I’m over the moon that more people get to experience that.&lt;/p&gt;
&lt;p&gt;But if I might: my advice to new builders is to trust that the bajillion dollar, bleeding edge system you’re using is capable of doing what’s already been done.&lt;/p&gt;
&lt;p&gt;That means that you can take risks. You can ignore the prior art. You can push further and discover what your tastes are and how you might make better software, and differently shaped software. Use those new powers to build the future, not another piece of the past.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So I&amp;rsquo;m taking onboard that advice. Not only does Stream have a different approach (you need a backend to connect to) but also I&amp;rsquo;ve added accessibility features, pausing, and some other things that are useful to me – and might be useful to others&lt;/p&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://blog.terrygodier.com/2026/03/22/on-ai-and-prior-art.html&#34;&gt;Terry Godier&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Image: &lt;a href=&#34;https://unsplash.com/photos/macro-photography-of-water-and-stones-ko7Tp_LyAt4&#34;&gt;Robert Zunikoff&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/robert-zunikoff-ko7tp-lyat4-unsplash.jpg&#34; width=&#34;600&#34; height=&#34;371&#34; alt=&#34;Auto-generated description: Clear water gently flows over colorful, rounded stones in a streambed.&#34;&gt;

Last week, after seeing yet _another_ person wax lyrical about [Current](https://www.terrygodier.com/current) (on this occasion without even _using_ it!) I decided that I needed to do something about it. 

&gt; Most RSS readers ask you to “mark as read.” Think about what that language implies. You&#39;re granting the article a status change, like an administrator processing paperwork. Read. Filed. Handled.
&gt; 
&gt; Current asks you to **release**.
&gt;
&gt; You can release from anywhere. In the river, a long swipe left on a card sends it flying off the screen. The remaining cards settle into the gap, the way water fills a space. One article, one gesture, gone.

Current, you see, while a fantastic idea, is only available for Apple devices. So I decided to create [Stream](https://dynamicskillset.github.io/stream/) which is Open Source, and cross-platform. 

Terry Godier, the author of Current was gracious in his response, and subsequently wrote a blog post about it:

&gt;  This morning someone posted a video showing a version of Current they had built with an LLM. My reaction wasn’t to be upset or threatened or defensive. I felt disappointed. I wish they had pushed further, or added something new. What they built lacked a lot of the character and philosophy of what I did and only approximated the look.
&gt;
&gt; The hard work of building a thing now isn’t writing the code. But I don’t think it ever was.
&gt;
&gt; [...]
&gt;
&gt; I think it’s really great to be excited about building things. There’s an agency, a sovereignty you can feel when building and I’m over the moon that more people get to experience that.
&gt;
&gt; But if I might: my advice to new builders is to trust that the bajillion dollar, bleeding edge system you’re using is capable of doing what’s already been done.
&gt;
&gt; That means that you can take risks. You can ignore the prior art. You can push further and discover what your tastes are and how you might make better software, and differently shaped software. Use those new powers to build the future, not another piece of the past.

So I&#39;m taking onboard that advice. Not only does Stream have a different approach (you need a backend to connect to) but also I&#39;ve added accessibility features, pausing, and some other things that are useful to me – and might be useful to others

Source: [Terry Godier](https://blog.terrygodier.com/2026/03/22/on-ai-and-prior-art.html)

Image: [Robert Zunikoff](https://unsplash.com/photos/macro-photography-of-water-and-stones-ko7Tp_LyAt4)
</source:markdown>
    </item>
    
    <item>
      <title>Your future needs you. Your past doesn&#39;t.</title>
      <link>https://thoughtshrapnel.com/2026/03/28/your-future-needs-you-your.html</link>
      <pubDate>Sat, 28 Mar 2026 08:47:49 +0000</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/28/your-future-needs-you-your.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/eyjidwnrzxqioijhcmvuyv9pbwfnzxmilcjrzxkioiiymju0njazni9vcmlnaw5hbf84zwzmzdk.webp&#34; width=&#34;443&#34; height=&#34;443&#34; alt=&#34;Auto-generated description: A motivational quote emphasizes the importance of focusing on the future rather than the past.&#34;&gt;
&lt;p&gt;A useful reminder — especially for me.&lt;/p&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://www.are.na/block/22546036&#34;&gt;Are.na&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/eyjidwnrzxqioijhcmvuyv9pbwfnzxmilcjrzxkioiiymju0njazni9vcmlnaw5hbf84zwzmzdk.webp&#34; width=&#34;443&#34; height=&#34;443&#34; alt=&#34;Auto-generated description: A motivational quote emphasizes the importance of focusing on the future rather than the past.&#34;&gt;

A useful reminder — especially for me.

Source: [Are.na](https://www.are.na/block/22546036)
</source:markdown>
    </item>
    
    <item>
      <title>If a computer is a bicycle for the mind, then LLMs are like e-bikes</title>
      <link>https://thoughtshrapnel.com/2026/03/28/if-a-computer-is-a.html</link>
      <pubDate>Sat, 28 Mar 2026 08:39:00 +0000</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/28/if-a-computer-is-a.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/himiway-bikes-bd-udmecgw4-unsplash.jpg&#34; width=&#34;600&#34; height=&#34;400&#34; alt=&#34;Auto-generated description: A mountain bike with large tires and a front light is parked on a dirt path surrounded by autumn trees.&#34;&gt;
&lt;p&gt;I agree with this clear-eyed metaphor from Greg Wilson, riffing off Steve Jobs&#39; famous quotation that computers are &amp;ldquo;bicycles for the mind&amp;rdquo;. It&amp;rsquo;s certainly been my experience that LLMs have enabled me to do things that I otherwise wouldn&amp;rsquo;t have done! Check out the &amp;lsquo;Tools&amp;rsquo; section of my &lt;a href=&#34;https://dynamicskillset.com/&#34;&gt;Dynamic Skillset&lt;/a&gt; website, for example. And that doesn&amp;rsquo;t even list everything&amp;hellip;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;[I]f a computer is a bicycle for the mind, then LLMs are like e-bikes. They let a lot of people go distances and tackle hills that they couldn’t before, and they’re better for all of us than cars, but they’re a menace to both pedestrians and traditional cyclists, more harmful to the environment than what they’re replacing, and have given companies yet another way to hollow out local businesses. (Neighborhood restaurants know that cheap delivery services are killing them slowly, but if they don’t play, they’ll just die more quickly.)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://third-bit.com/2026/03/28/e-bike-for-the-mind/&#34;&gt;Third Bit&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Image: &lt;a href=&#34;https://unsplash.com/photos/black-and-white-mountain-bike-on-dirt-road-during-daytime-Bd_udMECGW4&#34;&gt;Himiway Bikes&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/himiway-bikes-bd-udmecgw4-unsplash.jpg&#34; width=&#34;600&#34; height=&#34;400&#34; alt=&#34;Auto-generated description: A mountain bike with large tires and a front light is parked on a dirt path surrounded by autumn trees.&#34;&gt;

I agree with this clear-eyed metaphor from Greg Wilson, riffing off Steve Jobs&#39; famous quotation that computers are &#34;bicycles for the mind&#34;. It&#39;s certainly been my experience that LLMs have enabled me to do things that I otherwise wouldn&#39;t have done! Check out the &#39;Tools&#39; section of my [Dynamic Skillset](https://dynamicskillset.com/) website, for example. And that doesn&#39;t even list everything...

&gt; [I]f a computer is a bicycle for the mind, then LLMs are like e-bikes. They let a lot of people go distances and tackle hills that they couldn’t before, and they’re better for all of us than cars, but they’re a menace to both pedestrians and traditional cyclists, more harmful to the environment than what they’re replacing, and have given companies yet another way to hollow out local businesses. (Neighborhood restaurants know that cheap delivery services are killing them slowly, but if they don’t play, they’ll just die more quickly.)

Source: [Third Bit](https://third-bit.com/2026/03/28/e-bike-for-the-mind/)

Image: [Himiway Bikes](https://unsplash.com/photos/black-and-white-mountain-bike-on-dirt-road-during-daytime-Bd_udMECGW4)
</source:markdown>
    </item>
    
    <item>
      <title>LLMs are &#34;in the game, even if they’re not strictly playing it.&#34;</title>
      <link>https://thoughtshrapnel.com/2026/03/21/llms-are-in-the-game.html</link>
      <pubDate>Sat, 21 Mar 2026 08:22:40 +0000</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/21/llms-are-in-the-game.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/original-c25e9c923894c64dcb376149d2e82324.png&#34; width=&#34;600&#34; height=&#34;600&#34; alt=&#34;Auto-generated description: A webpage titled TfE: On Post-Searlean Critiques of LLMs from Deontologistics features an article discussing criticisms of large language models, with a sidebar containing categories like Books, Papers, and Talks.&#34;&gt;
&lt;p&gt;The widely-referenced &lt;a href=&#34;https://dl.acm.org/doi/10.1145/3442188.3445922&#34;&gt;&amp;ldquo;stochastic parrots&amp;rdquo;&lt;/a&gt; paper from five years ago is no out of date. In it, Emily Bender, Timnit Gebru, et al. argue that LLMs remix patterns in text without genuine understanding. This has knock‑on effects for how we (should) use and trust them. It&amp;rsquo;s a familiar argument, using the same approach as John Searle’s famous &lt;a href=&#34;https://plato.stanford.edu/entries/chinese-room/&#34;&gt;Chinese Room&lt;/a&gt; argument about &amp;lsquo;black box&amp;rsquo; symbol‑shuffling without understanding.&lt;/p&gt;
&lt;p&gt;I don&amp;rsquo;t know Pete Wolfendale, but I have just discovered that he is an independent philosopher based in Newcastle‑upon‑Tyne, so I should probably look him up. In this post he pushes back on the idea that LLMs are &amp;ldquo;stochastic parrots&amp;rdquo; and uses that as a way into some bigger questions about what we &lt;em&gt;mean&lt;/em&gt; by &amp;ldquo;meaning&amp;rdquo; in the first place.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I think it’s maybe worth summarising why I think post-Searlean critics of AI such as Emily Bender are wrong to dismiss the outputs of LLMs as meaningless. Though it’s perhaps best to begin with a basic discussion of what’s at stake in these debates.&lt;/p&gt;
&lt;p&gt;Much like the term ‘consciousness’, the term ‘meaning’ often plays proxy for other ideas. For example, saying systems can’t be conscious is often a way of saying they’ll never display certain degrees of intelligence or agency, without addressing the underlying capacities.&lt;/p&gt;
&lt;p&gt;Similarly, being able to simply say ‘but they don’t even know what they’re saying’ is a simple way to foreclose further debate about the communicative and reasoning capacities of LLMs without having to pick apart the lower level processes underpinning communication and reasoning.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;While Wolfenden agrees that current systems &lt;em&gt;don&amp;rsquo;t&lt;/em&gt; have beliefs, intentions, or a stable view of the world, nor does he think that they&amp;rsquo;re &amp;ldquo;just&amp;rdquo; meaningless text generators:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;strong&gt;Grounding&lt;/strong&gt; - a lot of human language isn&amp;rsquo;t directly tied to what we &lt;em&gt;personally&lt;/em&gt; see or do. We can talk meaningfully about things like black holes, stock markets, or bowel cancer because we trust expert communities - not because we all have first‑hand access. So it&amp;rsquo;s at least &lt;em&gt;plausible&lt;/em&gt; that LLMs pick up some real, socially grounded content from the human language they&amp;rsquo;re compressing.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Intention&lt;/strong&gt; - while he accepts that LLMs do not have inner communicative goals, Wolfenden suggests that this is not as much of a big deal as critics suggest. He compares the outputs of LLMs to rumours - i.e. statements produced by a diffuse social process. We can still interpret, question, and trace this back to wider patterns of usage. LLMs sit &lt;em&gt;inside&lt;/em&gt; our language community in this way, even if they are not full participants.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;All-or-nothing thinking&lt;/strong&gt; - Wolfenden argues that we should avoid binary thinking about minds and meaning. Humans &lt;em&gt;also&lt;/em&gt; talk lazily, gossip, and say things we later revise. We can be asked for reasons for our views and have our views be reshaped, which is the difference between us and current models. There is still overlap here. As he says, LLMs are &amp;ldquo;in the game, even if they’re not strictly playing it.&amp;rdquo;&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://deontologistics.co/2025/06/22/tfe-on-post-searlean-critiques-of-llms/&#34;&gt;DEONTOLOGISTICS&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/original-c25e9c923894c64dcb376149d2e82324.png&#34; width=&#34;600&#34; height=&#34;600&#34; alt=&#34;Auto-generated description: A webpage titled TfE: On Post-Searlean Critiques of LLMs from Deontologistics features an article discussing criticisms of large language models, with a sidebar containing categories like Books, Papers, and Talks.&#34;&gt;

The widely-referenced [&#34;stochastic parrots&#34;](https://dl.acm.org/doi/10.1145/3442188.3445922) paper from five years ago is no out of date. In it, Emily Bender, Timnit Gebru, et al. argue that LLMs remix patterns in text without genuine understanding. This has knock‑on effects for how we (should) use and trust them. It&#39;s a familiar argument, using the same approach as John Searle’s famous [Chinese Room](https://plato.stanford.edu/entries/chinese-room/) argument about &#39;black box&#39; symbol‑shuffling without understanding.  

I don&#39;t know Pete Wolfendale, but I have just discovered that he is an independent philosopher based in Newcastle‑upon‑Tyne, so I should probably look him up. In this post he pushes back on the idea that LLMs are &#34;stochastic parrots&#34; and uses that as a way into some bigger questions about what we _mean_ by &#34;meaning&#34; in the first place.

&gt; I think it’s maybe worth summarising why I think post-Searlean critics of AI such as Emily Bender are wrong to dismiss the outputs of LLMs as meaningless. Though it’s perhaps best to begin with a basic discussion of what’s at stake in these debates.  
&gt;
&gt; Much like the term ‘consciousness’, the term ‘meaning’ often plays proxy for other ideas. For example, saying systems can’t be conscious is often a way of saying they’ll never display certain degrees of intelligence or agency, without addressing the underlying capacities.  
&gt;
&gt; Similarly, being able to simply say ‘but they don’t even know what they’re saying’ is a simple way to foreclose further debate about the communicative and reasoning capacities of LLMs without having to pick apart the lower level processes underpinning communication and reasoning.

While Wolfenden agrees that current systems _don&#39;t_ have beliefs, intentions, or a stable view of the world, nor does he think that they&#39;re &#34;just&#34; meaningless text generators:

1. **Grounding** - a lot of human language isn&#39;t directly tied to what we _personally_ see or do. We can talk meaningfully about things like black holes, stock markets, or bowel cancer because we trust expert communities - not because we all have first‑hand access. So it&#39;s at least _plausible_ that LLMs pick up some real, socially grounded content from the human language they&#39;re compressing.
1. **Intention** - while he accepts that LLMs do not have inner communicative goals, Wolfenden suggests that this is not as much of a big deal as critics suggest. He compares the outputs of LLMs to rumours - i.e. statements produced by a diffuse social process. We can still interpret, question, and trace this back to wider patterns of usage. LLMs sit _inside_ our language community in this way, even if they are not full participants.
1. **All-or-nothing thinking** - Wolfenden argues that we should avoid binary thinking about minds and meaning. Humans _also_ talk lazily, gossip, and say things we later revise. We can be asked for reasons for our views and have our views be reshaped, which is the difference between us and current models. There is still overlap here. As he says, LLMs are &#34;in the game, even if they’re not strictly playing it.&#34;

Source: [DEONTOLOGISTICS](https://deontologistics.co/2025/06/22/tfe-on-post-searlean-critiques-of-llms/)
</source:markdown>
    </item>
    
    <item>
      <title>Creating the conditions to make things possible</title>
      <link>https://thoughtshrapnel.com/2026/03/21/creating-the-conditions-to-make.html</link>
      <pubDate>Sat, 21 Mar 2026 07:55:23 +0000</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/21/creating-the-conditions-to-make.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/eyjidwnrzxqioijhcmvuyv9pbwfnzxmilcjrzxkioii0nduyndmxnc9vcmlnaw5hbf8zytk3m2e.webp&#34; width=&#34;600&#34; height=&#34;600&#34; alt=&#34;Auto-generated description: An owl is peeking out from a dark opening, surrounded by white and brown feathers.&#34;&gt;
&lt;p&gt;This post by Dave Snowden, originator of the &lt;a href=&#34;https://en.wikipedia.org/wiki/Cynefin_framework&#34;&gt;Cynefin framework&lt;/a&gt;, relates to &lt;a href=&#34;https://thoughtshrapnel.com/2026/03/21/maybe-the-loose-end-isnt.html&#34;&gt;post I shared&lt;/a&gt; by Tom Watson about &amp;lsquo;loose ends&amp;rsquo;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I have been writing recently, and will write more, about the difference between containers and landscapes: how interventions can be real within their boundaries and yet leave everything structurally unchanged outside them. The coaching session that produces genuine insight. The workshop that shifts something in the room. And two weeks later, nothing. The container was real. The landscape was unchanged.&lt;/p&gt;
&lt;p&gt;[&amp;hellip;]&lt;/p&gt;
&lt;p&gt;I have written elsewhere about what a different approach might look like in practice: working obliquely, creating conditions for empathy through shared action rather than mediated dialogue, allowing conversation to arise from mutual work rather than being engineered by a third party with an agenda. The Derry Girls scene captures the failure mode with comic precision. The reconciliation workshop produces nothing. The two smiles exchanged across the room, unprompted, unmediated, while chaos erupts around the parents, are where something real briefly appears. You cannot programme that moment. You can only create the conditions that make it possible.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://thecynefin.co/she-wants-to-be-flowers/&#34;&gt;The Cynefin Co.&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/eyjidwnrzxqioijhcmvuyv9pbwfnzxmilcjrzxkioii0nduyndmxnc9vcmlnaw5hbf8zytk3m2e.webp&#34; width=&#34;600&#34; height=&#34;600&#34; alt=&#34;Auto-generated description: An owl is peeking out from a dark opening, surrounded by white and brown feathers.&#34;&gt;

This post by Dave Snowden, originator of the [Cynefin framework](https://en.wikipedia.org/wiki/Cynefin_framework), relates to [post I shared](https://thoughtshrapnel.com/2026/03/21/maybe-the-loose-end-isnt.html) by Tom Watson about &#39;loose ends&#39;. 

&gt; I have been writing recently, and will write more, about the difference between containers and landscapes: how interventions can be real within their boundaries and yet leave everything structurally unchanged outside them. The coaching session that produces genuine insight. The workshop that shifts something in the room. And two weeks later, nothing. The container was real. The landscape was unchanged.
&gt;
&gt; [...]
&gt;
&gt; I have written elsewhere about what a different approach might look like in practice: working obliquely, creating conditions for empathy through shared action rather than mediated dialogue, allowing conversation to arise from mutual work rather than being engineered by a third party with an agenda. The Derry Girls scene captures the failure mode with comic precision. The reconciliation workshop produces nothing. The two smiles exchanged across the room, unprompted, unmediated, while chaos erupts around the parents, are where something real briefly appears. You cannot programme that moment. You can only create the conditions that make it possible.

Source: [The Cynefin Co.](https://thecynefin.co/she-wants-to-be-flowers/)
</source:markdown>
    </item>
    
    <item>
      <title>Institute of Pragmatic Solutions</title>
      <link>https://thoughtshrapnel.com/2026/03/21/institute-of-pragmatic-solutions.html</link>
      <pubDate>Sat, 21 Mar 2026 06:14:52 +0000</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/21/institute-of-pragmatic-solutions.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/bafkreibrb7vjdm7qrx27zwzwgom2zs7wfh6xuakmcafn53so4lb6qdyddq.webp&#34; width=&#34;600&#34; height=&#34;422&#34; alt=&#34;Auto-generated description: A billboard announces the upcoming Foundation for Astonishingly Extravagant Gestures while nearby a small building is labeled Institute of Pragmatic Solutions.&#34;&gt;
&lt;p&gt;Everything that&amp;rsquo;s wrong with the world, captured neatly in one cartoon.&lt;/p&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://bsky.app/profile/tomgauld.bsky.social/post/3mhblauiusk2e&#34;&gt;Tom Gauld&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/bafkreibrb7vjdm7qrx27zwzwgom2zs7wfh6xuakmcafn53so4lb6qdyddq.webp&#34; width=&#34;600&#34; height=&#34;422&#34; alt=&#34;Auto-generated description: A billboard announces the upcoming Foundation for Astonishingly Extravagant Gestures while nearby a small building is labeled Institute of Pragmatic Solutions.&#34;&gt;

Everything that&#39;s wrong with the world, captured neatly in one cartoon.

Source: [Tom Gauld](https://bsky.app/profile/tomgauld.bsky.social/post/3mhblauiusk2e)
</source:markdown>
    </item>
    
    <item>
      <title>Maybe the loose end isn&#39;t a failure of facilitation</title>
      <link>https://thoughtshrapnel.com/2026/03/21/maybe-the-loose-end-isnt.html</link>
      <pubDate>Sat, 21 Mar 2026 06:11:37 +0000</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/21/maybe-the-loose-end-isnt.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/original-57496fb23e8a6ed84e0673a323d833c5.png&#34; width=&#34;600&#34; height=&#34;600&#34; alt=&#34;Auto-generated description: A collection of colorful yarn balls is featured below an article titled The Case for Loose Ends on a website.&#34;&gt;
&lt;p&gt;Tom was talking to me about his thinking about this post when we met up earlier this week to discuss next steps for &lt;a href=&#34;https://techfreedom.eu&#34;&gt;TechFreedom&lt;/a&gt;, our joint project.&lt;/p&gt;
&lt;p&gt;Essentially, the problem is that things like workshops, events, projects, and even &lt;em&gt;programmes&lt;/em&gt; of work have an internal logic to them. This logic dictates whether or not they are designated &amp;lsquo;successful&amp;rsquo;. Whereas, the world is a messy and complicated place, and simply giving people opportunities to connect and think things through can have much more profound consequences.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Most of what happens in a workshop or a session is only ever useful if people can take it back into their own context and make sense of it there. A good facilitator will create rooms and spaces that support the workshop. But however well designed, the room is artificial. The real work happens when someone is back at their desk on a Tuesday morning trying to figure out what any of it means for the decision they&amp;rsquo;re actually facing.&lt;/p&gt;
&lt;p&gt;If we resolve everything in the session with neat actions, clear conclusions, a satisfying arc, there is the potential we&amp;rsquo;ve artificially done the sense-making for them. We&amp;rsquo;ve removed the productive friction of trying to figure out what it means to me in my context outside the room. We&amp;rsquo;ve made it easy to file the experience away.&lt;/p&gt;
&lt;p&gt;But what if we leave a question hanging, one that is genuinely &amp;amp; intentionally unresolved, not because we ran out of time but because we chose to? One that forces them to contextualise, to test an idea against their own reality, to keep thinking after the room has emptied.&lt;/p&gt;
&lt;p&gt;Maybe the loose end isn&amp;rsquo;t a failure of facilitation. In some cases maybe it&amp;rsquo;s &lt;em&gt;the&lt;/em&gt; mechanism.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://tomcw.xyz/the-case-for-loose-ends/&#34;&gt;Tom Watson&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/original-57496fb23e8a6ed84e0673a323d833c5.png&#34; width=&#34;600&#34; height=&#34;600&#34; alt=&#34;Auto-generated description: A collection of colorful yarn balls is featured below an article titled The Case for Loose Ends on a website.&#34;&gt;

Tom was talking to me about his thinking about this post when we met up earlier this week to discuss next steps for [TechFreedom](https://techfreedom.eu), our joint project. 

Essentially, the problem is that things like workshops, events, projects, and even _programmes_ of work have an internal logic to them. This logic dictates whether or not they are designated &#39;successful&#39;. Whereas, the world is a messy and complicated place, and simply giving people opportunities to connect and think things through can have much more profound consequences.

&gt; Most of what happens in a workshop or a session is only ever useful if people can take it back into their own context and make sense of it there. A good facilitator will create rooms and spaces that support the workshop. But however well designed, the room is artificial. The real work happens when someone is back at their desk on a Tuesday morning trying to figure out what any of it means for the decision they&#39;re actually facing.
&gt;
&gt; If we resolve everything in the session with neat actions, clear conclusions, a satisfying arc, there is the potential we&#39;ve artificially done the sense-making for them. We&#39;ve removed the productive friction of trying to figure out what it means to me in my context outside the room. We&#39;ve made it easy to file the experience away.
&gt;
&gt; But what if we leave a question hanging, one that is genuinely &amp; intentionally unresolved, not because we ran out of time but because we chose to? One that forces them to contextualise, to test an idea against their own reality, to keep thinking after the room has emptied.
&gt;
&gt; Maybe the loose end isn&#39;t a failure of facilitation. In some cases maybe it&#39;s _the_ mechanism.

Source: [Tom Watson](https://tomcw.xyz/the-case-for-loose-ends/)
</source:markdown>
    </item>
    
    <item>
      <title>Why it&#39;s all kicking off (again)</title>
      <link>https://thoughtshrapnel.com/2026/03/21/why-its-all-kicking-off.html</link>
      <pubDate>Sat, 21 Mar 2026 06:04:56 +0000</pubDate>
      
      <guid>http://thoughtshrapnel.micro.blog/2026/03/21/why-its-all-kicking-off.html</guid>
      <description>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/original-59b25baa1f686f51bdd69a7911e78883.jpg&#34; width=&#34;600&#34; height=&#34;472&#34; alt=&#34;Auto-generated description: A comic illustrates historical U.S. involvement in Iran, depicting events from 1953 to 2020 with a critical and satirical lens on foreign policy and its consequences.&#34;&gt;
&lt;p&gt;I&amp;rsquo;m not saying that you need to be an expert on the history of every country of the world, but when there&amp;rsquo;s a major crisis going on, understanding &lt;em&gt;why&lt;/em&gt; it&amp;rsquo;s all kicking off is at least worth understanding.&lt;/p&gt;
&lt;p&gt;Source: &lt;a href=&#34;https://rall.com/comic/iranians-hurt-our-fee-fees&#34;&gt;Ted Rall&lt;/a&gt;&lt;/p&gt;
</description>
      <source:markdown>&lt;img src=&#34;https://cdn.uploads.micro.blog/139275/2026/original-59b25baa1f686f51bdd69a7911e78883.jpg&#34; width=&#34;600&#34; height=&#34;472&#34; alt=&#34;Auto-generated description: A comic illustrates historical U.S. involvement in Iran, depicting events from 1953 to 2020 with a critical and satirical lens on foreign policy and its consequences.&#34;&gt;

I&#39;m not saying that you need to be an expert on the history of every country of the world, but when there&#39;s a major crisis going on, understanding _why_ it&#39;s all kicking off is at least worth understanding.

Source: [Ted Rall](https://rall.com/comic/iranians-hurt-our-fee-fees)
</source:markdown>
    </item>
    
  </channel>
</rss>
