Thought Shrapnel

I play ‘video games’ (a curiously old-fashioned term) with my kids all the time. Current favourites are FIFA 18 and Star Wars Battlefront II. We also enjoy Party Golf as a whole family (hilarious!)

My children play different games with each other than they play with me. They’re more likely to play Lego Worlds or Minecraft (the latter always on their tablets). And when I’m away we play word games such as Words With Friends 2 or Wordbase.

The author of this article, David Cole, points out that playing games with his son is a different experience than he was expecting it to be:

So when I imagined playing video games with my son — now 6 — I pictured myself as being the Player 2 that I’d never had in my own childhood. I wouldn’t mind which games he wanted to play, or how many turns he’d take. I would comfort him through frustrating losses and be a good sport when we competed head-to-head. What I hadn’t anticipated in these fantasies was how much a new breed of video game would end up deeply altering the way we relate. Games of challenge and reflex are still popular of course, but among children my son’s age they’ve been drastically overtaken by a class of games defined by open-ended, expressive play. The hallmark title of this sort is, undeniably, Minecraft.

My son is 11 years old and my daughter seven, so what Cole describes resonates:

My son and I do still play those competitive games, and I hope that he’s learning about practice and perseverance when we do. But those games are about stretching and challenging him to fit the mold of the game’s demands. When we play Minecraft together, the direction of his development, and thus our relationship, is reversed: He converts the world into expressions of his own fantasies and dreams. And by letting me enter and explore those dream worlds with him, I come to understand him in a way that the games from my childhood do not.

The paragraph that particularly resonated with me was this one, as it not only describes my relationship with my children when playing video games, but also parenting as being vastly different (for better and worse) than I thought it would be:

The working rhythms of our shared play allow for stretches of silent collaboration. It’s in these contemplative moments that I notice how distinct this feeling is from my own childhood, as well as the childhood I had predicted for my son. I thought I would be his Player 2, an ideal peer that would make his childhood awesome in ways that mine was not. In retrospect, that was always just a picture of me, not of him and not of us.

A lovely article that reminded me of the heartwarming Player 2 video short based on a true story from a YouTube comments section...

Source: The Cut

I can attest to the power of this, particularly the Halo soundtrack:

As I write these words, a triumphant horn is erupting in my ear over the rhythmic bowing of violins. In fact, as you read, I would encourage you to listen along—just search “Battlefield One.” I bet you'll focus just a bit better with it playing in the background. After all, as a video game soundtrack it's designed to have exactly that effect.

This is, by far, the best Life Pro Tip I’ve ever gotten or given: Listen to music from video games when you need to focus. It’s a whole genre designed to simultaneously stimulate your senses and blend into the background of your brain, because that’s the point of the soundtrack. It has to engage you, the player, in a task without distracting from it. In fact, the best music would actually direct the listener to the task.

These days I prefer to listen to Brain.fm after I got a lifetime deal via AppSumo a year or so ago. I enjoy music as an art form, but I also appreciate it for the effect it can have on my brain.

Source: Popular Science